Roots
may 2015 · Bloomsbury Publishing
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It's 1958. Beatie Bryant has been to London and fallen in love with Ronnie, a young socialist. As she anxiously awaits his arrival to meet her family at their Norfolk farm, her head is swimming with new ideas. Ideas of a bolder, freer world which promise to clash with their rural way of life.
Roots is the remarkable centrepiece of Wesker's seminal post-war trilogy. It was first performed in 1959 at the Belgrade Theatre, Coventry, before transferring to the Royal Court. It is the second play in a trilogy comprising Chicken Soup with Barley and I'm Talking About Jerusalem. It went on to transfer to the Duke of York's Theatre in the West End.
A true classic, Roots is an affecting portrait of a young woman finding her voice at a time of unprecedented social change.
This Modern Classic edition features an introduction by Glenda Leeming.
Roots is the remarkable centrepiece of Wesker's seminal post-war trilogy. It was first performed in 1959 at the Belgrade Theatre, Coventry, before transferring to the Royal Court. It is the second play in a trilogy comprising Chicken Soup with Barley and I'm Talking About Jerusalem. It went on to transfer to the Duke of York's Theatre in the West End.
A true classic, Roots is an affecting portrait of a young woman finding her voice at a time of unprecedented social change.
This Modern Classic edition features an introduction by Glenda Leeming.
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Arnold Wesker (b. 1932) is one of Britain's seminal post-war playwrights. His varied writings include essays, short stories, poetry, journalism and 49 plays, which have been translated into 18 languages. His plays include The Kitchen (1957), Roots (1958), Chips with Everything (1962), Shylock (1976), and Honey (2005). He holds honorary doctorates from the University of East Anglia, Queen Mary and Westfield College, London, and Denison University in Ohio and was knighted in the 2006 New Year's Honours list.
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