The Marriage Contract: Works of Balzac
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CHAPTER I. PRO AND CON
Monsieur de Manerville, the father, was a worthy Norman gentleman, well known to the Marechael de Richelieu, who married him to one of the richest heiresses of Bordeaux in the days when the old duke reigned in Guienne as governor. The Norman then sold the estate he owned in Bessin, and became a Gascon, allured by the beauty of the chateau de Lanstrac, a delightful residence owned by his wife. During the last days of the reign of Louis XV., he bought the post of major of the Gate Guards, and lived till 1813, having by great good luck escaped the dangers of the Revolution in the following manner.
Toward the close of the year, 1790, he went to Martinque, where his wife had interests, leaving the management of his property in Gascogne to an honest man, a notary's clerk, named Mathias, who was inclined to—or at any rate did—give into the new ideas. On his return the Comte de Manerville found his possessions intact and well-managed. This sound result was the fruit produced by grafting the Gascon on the Norman.
Madame de Manerville died in 1810. Having learned the importance of worldly goods through the dissipations of his youth, and, giving them, like many another old man, a higher place than they really hold in life, Monsieur de Manerville became increasingly economical, miserly, and sordid. Without reflecting that the avarice of parents prepares the way for the prodigalities of children, he allowed almost nothing to his son, although that son was an only child.
Paul de Manerville, coming home from the college of Vendome in 1810, lived under close paternal discipline for three years. The tyranny by which the old man of seventy oppressed his heir influenced, necessarily, a heart and a character which were not yet formed. Paul, the son, without lacking the physical courage which is vital in the air of Gascony, dared not struggle against his father, and consequently lost that faculty of resistance which begets moral courage. His thwarted feelings were driven to the depths of his heart, where they remained without expression; later, when he felt them to be out of harmony with the maxims of the world, he could only think rightly and act mistakenly. He was capable of fighting for a mere word or look, yet he trembled at the thought of dismissing a servant,—his timidity showing itself in those contests only which required a persistent will. Capable of doing great things to fly from persecution, he would never have prevented it by systematic opposition, nor have faced it with the steady employment of force of will. Timid in thought, bold in actions, he long preserved that inward simplicity which makes a man the dupe and the voluntary victim of things against which certain souls hesitate to revolt, preferring to endure them rather than complain. He was, in point of fact, imprisoned by his father's old mansion, for he had not enough money to consort with young men; he envied their pleasures while unable to share them.
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About Honore de Balzac
Honore de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. His magnum opus was a sequence of short stories and novels collectively entitled La Comédie Humaine, which presents a panorama of French life in the years after the 1815 Fall of Napoleon Bonaparte.
Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Gustave Flaubert, and Henry James, as well as important philosophers such as Friedrich Engels. Many of Balzac's works have been made into films, and they continue to inspire other writers.
Balzac's work habits are legendary—he did not work quickly, but toiled with an incredible focus and dedication. His preferred method was to eat a light meal at five or six in the afternoon, then sleep until midnight. He then rose and wrote for many hours, fueled by innumerable cups of black coffee. He would often work for fifteen hours or more at a stretch; he claimed to have once worked for 48 hours with only three hours of rest in the middle.
Balzac revised obsessively, covering printer's proofs with changes and additions to be reset. He sometimes repeated this process during the publication of a book, causing significant expense both for himself and the publisher. As a result, the finished product quite often was different from the original text. Although some of his books never reached completion, some — such as Les employés (The Government Clerks, 1841) — are nonetheless noted by critics.
Although Balzac was "by turns a hermit and a vagrant", he managed to stay in tune with the social spheres which nourished his writing. He was friends with Théophile Gautier and Pierre-Marie-Charles de Bernard du Grail de la Villette, and he was acquainted with Victor Hugo. Nevertheless, he did not spend as much time in salons and clubs of Paris like many of his characters. "In the first place he was too busy", explains Saintsbury, "in the second he would not have been at home there.... He felt it was his business not to frequent society but to create it". However he often spent long periods at the Château de Saché, near Tours, the home of his friend Jean de Margonne, his mother's lover and father to her youngest child. Many of Balzac's tormented characters were conceived in the chateau's small second-floor bedroom. Today the chateau is a museum dedicated to the author's life.
The Comédie Humaine remained unfinished at the time of his death—Balzac had plans to include numerous other books, most of which he never started. He frequently flitted between works in progress, and "finished articles" were frequently revised between editions. This piecemeal style is reflective of the author's own life, a possible attempt to stabilize it through fiction. "The vanishing man", wrote Sir Victor Pritchett, "who must be pursued from the rue Cassini to ... Versailles, Ville d'Avray, Italy, and Vienna can construct a settled dwelling only in his work".
