At the particular time in question he was most interesting for the eccentricities which years of stalwart independence had developed, but these were lovable peculiarities and only severed from remarkable actions by the compelling power of time and his increasing infirmities. The loud, though pleasant, voice, and strong, often fiery, declamatory manner, were remnants of the days when his fellow-citizens were wholly swayed by the magnificence of his orations. Charmingly simple in manner, he still represented with it that old courtesy which made every stranger his guest. When moved by righteous indignation, there cropped out the daring and domineering insistence of one who had always followed what he considered to be the right, and who knew its power.
Even then, old as he was, if there were any topic worthy of discussion, and his fellow-citizens were in danger of going wrong, he became an haranguing prophet, as it were, a local Isaiah or Jeremiah. Every gate heard him, for he stopped on his rounds in front of each, and calling out the inhabitant poured forth such a volume of fact and argument as tended to remove all doubt of what he, at least, considered right. All of this he invariably accompanied by a magnificence of gesture worthy of a great orator.
--- A True Patriarch
Theodore Herman Albert Dreiser (August 27, 1871 – December 28, 1945) was an American novelist and journalist of the naturalist school. His novels often featured main characters who succeeded at their objectives despite a lack of a firm moral code, and literary situations that more closely resemble studies of nature than tales of choice and agency. Dreiser's best known novels include Sister Carrie (1900) and An American Tragedy (1925). In 1930 he was nominated to the Nobel Prize in Literature.