The Yellow Wallpaper
Charlotte Perkins Gilman
maio de 2020 · Machine Books
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Life has taken a sudden interior turn but the literature of the lockdown may have already been written. A century ago writers throughout the supposedly civilised world realised their once familiar, domestic world had changed profoundly and began to describe it in singular unsettling ways. The best word for what they found and how they described it is the German one ‘unheimlich’ whereby the familiar or homely is suddenly strange; a unique word for which we have in English the unsatisfactory ‘uncanny’.
In his essay of 1919, Freud used the word ‘unheimlich’ to describe the disquieting, unsettling short fiction of his time. As has been noted by the critic Mark Fisher and others however, he structured his inquiry into the unheimlich on the stories themselves, unable to create a theory which superseded them. These stories have endured. We have collected together the best of them — the funny, the horrific and the simply disturbing — to offer insight and commentary on the strange world we have been living in.
The real purpose of our confinement may be as hidden as we are. In this story, the American writer Charlotte Perkins Gilman describes a woman’s growing obsession with the interior decor of a rented house, with heart breaking precision.
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Charlotte Perkins Gilman (1860–1935) was an American writer and lecturer known for her humanist and feminist writing. She is best known today for her seminal short story The Yellow Wallpaper, a blistering indictment of the rest cure, which is one of the most important American feminist titles of all time.
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