The Uninvited Guests
mar. de 2012 · Random House
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A sinister tale of haunting beauty, from The Outcast author Sadie Jones.
It is the eve of Emerald Torrington’s twentieth birthday and the family has assembled at Sterne, the once grand, now crumbling, family seat. The cake is iced, the wine decanted, the house gleams invitingly.
But before the first dish can be served, a mysterious group of strangers arrives at the door. Victims of a local train accident they are seeking shelter at the house.
The Torringtons welcome them in but there is something unsettling about the group and, as night falls and a storm rages outside, the family begins to wonder if something more malevolent than stranded travellers is in their home...
It is the eve of Emerald Torrington’s twentieth birthday and the family has assembled at Sterne, the once grand, now crumbling, family seat. The cake is iced, the wine decanted, the house gleams invitingly.
But before the first dish can be served, a mysterious group of strangers arrives at the door. Victims of a local train accident they are seeking shelter at the house.
The Torringtons welcome them in but there is something unsettling about the group and, as night falls and a storm rages outside, the family begins to wonder if something more malevolent than stranded travellers is in their home...
Acerca do autor
Sadie Jones is a novelist and screenwriter who was born and brought up in London. Her first novel, The Outcast (‘Devastatingly good’, Daily Mail) won the Costa First Novel Award and was shortlisted for the Orange Prize. It was also a Richard and Judy Summer Reads number one bestseller and adapted for BBC Television. Her second novel, Small Wars (‘Outstanding’, The Times; ‘One of the best books about the English at war ever’, Joel Morris), was published in 2009, and longlisted for the Orange Prize. Her third, in 2012, was The Uninvited Guests (‘A shimmering comedy of manners and disturbing commentary on class... a brilliant novel’, Ann Patchett) followed by Fallout in 2014 (‘Intoxicating and immersive’, The Sunday Times).
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