The Thomas Flair

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āļ¸āˇ™āļ¸ āļ‰-āļ´āˇœāļ­ āļœāˇāļą

It’ll take more than medals to mend their relationship.


Diabetic gymnast and team alternate Sol Ashvili had one thing on his agenda when the 2016 Rio Olympics wrapped up—confess to his teammate and best friend Tony Thomas that he’d been in love with him for years. But Tony took a major deduction in Sol’s heart when he jetted out of Rio and turned his back on an almost-finished college degree, international gymnastics meetsâ€Ļ and Sol. The first two Sol could forgive—barely. The last? Not a chance.


Tony’s crowd-pleasing, no-holds-barred, high-octane gymnastics style stole its nickname from a legendary gymnastics move—the Thomas Flair. After the 2016 Games, he vaulted into a career as an internet celebrity, specializing in extreme sports and risky stunts. When Tony decides to battle his way into competition shape to earn a spot on the 2020 Olympic team, he has to survive the most extreme risk of all: facing Sol again.


For the sake of the team and the reputation of US men’s gymnastics, Sol and Tony must leave the past behind and get a grip on working together. And as the Games draw closer, they realize that being more than teammates might be the only way they can truly fly high and stick the landing.


The Thomas Flair is a 64,000-word friends to enemies to lovers second-chance rom-com set around the Tokyo Olympics that might have been, featuring a thrill-seeker who needs reining in, a perfectionist who needs to let go, redemption, rowdy teammates, and a few risky moves that will never make it into the Code of Points.

āļšāļģāˇŠāļ­āˇ˜ āļ´āˇ’āˇ…āˇ’āļļāļŗ

E.J. Russell (she/her), author of the award-winning Mythmatched paranormal romance series, writes LGBTQ+ romance and mystery in a rainbow of flavors. Count on high snark, low angst, and happy endings.

 

Reality? Eh, not so much.

 

E.J. also writes traditional cozy mystery as Nelle Heran. She lives in rural Oregon, enjoys visits from her wonderful adult children, and indulges in good books, red wine, and the occasional hyperbole.

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