The Prisoner of Cimlye
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As did the hopes of Sella, Lessie, the Meys, and Taef Lang.
The Prisoner of Cimlye, a novel of some 54,000 words, is the sequel to Sailing to Redoubt. It takes up the story of Sella, Lessie, and Taef six months after the end of that first Tropic Sea novel, and ties up many of the loose ends left dangling at the close of that story.
For instance, was Lieutenant Taef Lang able to convince his commanding officer that duty required him to spend several months sailing the Tropic Sea in a 12 meter yacht with two beautiful girls – the delightful Sella and her twin sister, the less than delightful Lessie? And what did that powerful premonition Taef felt when the dour Lessie shyly waved goodbye to him foreshadow? And, of course, how did the governments of the three continents of the world react to the message that they carried back from Redoubt Island? Indeed, were Sella and Lessie able to convince their angry Grandfather to forgive them for so often making a fool of him, and welcome the new age that that message promised?
The answers to these and many other questions and mysteries can be found in the pages of The Prisoner of Cimlye, A Romance of the Tropic Sea.
Please note: A new version was uploaded on 13 January 2021. Fingers crossed, hopefully it will fix the problems downloading this book noted by some reviewers.
C. Litka writes old fashioned novels with modern sensibilities, humor, and romance. He spins tales of adventure, mystery, and travel set in richly imagined worlds, featuring casts of colorful, fully realized characters. If you seek to escape your everyday life for a few hours, you will not find better company, nor more wonderful worlds to travel and explore, than in the novels of C. Litka.
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Autoren-Profil
I write adventure romances. Romances in the old sense of novels that depict settings and events remote from everyday life. The fact that my stories are set in imaginary times and locales, mean that they can conventionality be considered science fiction. The heart of science fiction, however, is found in short stories, and in speculating on future society and technology, which is not my focus. I write character focused novels that use imaginary locales for that remoteness from everyday life that gives them the air of those old fashioned romances.
