The Greater Inclination: American Literature
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Danyers afterwards liked to fancy that he had recognized Mrs. Anerton at once; but that, of course, was absurd, since he had seen no portrait of her—she affected a strict anonymity, refusing even her photograph to the most privileged—and from Mrs. Memorall, whom he revered and cultivated as her friend, he had extracted but the one impressionist phrase: "Oh, well, she's like one of those old prints where the lines have the value of color."
He was almost certain, at all events, that he had been thinking of Mrs. Anerton as he sat over his breakfast in the empty hotel restaurant, and that, looking up on the approach of the lady who seated herself at the table near the window, he had said to himself, "That might be she."
Ever since his Harvard days—he was still young enough to think of them as immensely remote—Danyers had dreamed of Mrs. Anerton, the Silvia of Vincent Rendle's immortal sonnet-cycle, the Mrs. A. of the Life and Letters. Her name was enshrined in some of the noblest English verse of the nineteenth century—and of all past or future centuries, as Danyers, from the stand-point of a maturer judgment, still believed. The first reading of certain poems—of the Antinous, the Pia Tolomei, the Sonnets to Silvia,—had been epochs in Danyers's growth, and the verse seemed to gain in mellowness, in amplitude, in meaning as one brought to its interpretation more experience of life, a finer emotional sense. Where, in his boyhood, he had felt only the perfect, the almost austere beauty of form, the subtle interplay of vowel-sounds, the rush and fulness of lyric emotion, he now thrilled to the close-packed significance of each line, the allusiveness of each word—his imagination lured hither and thither on fresh trails of thought, and perpetually spurred by the sense that, beyond what he had already discovered, more marvellous regions lay waiting to be explored. Danyers had written, at college, the prize essay on Rendle's poetry (it chanced to be the moment of the great man's death); he had fashioned the fugitive verse of his own storm-and-stress period on the forms which Rendle had first given to English metre; and when two years later the Life and Letters appeared, and the Silvia of the sonnets took substance as Mrs. A., he had included in his worship of Rendle the woman who had inspired not only such divine verse but such playful, tender, incomparable prose.
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作者简介
Edith Wharton (January 24, 1862 – August 11, 1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt.
Despite not publishing her first novel until she was forty, Wharton became an extraordinarily productive writer. In addition to her fifteen novels, seven novellas, and eighty-five short stories, she published poetry, books on design, travel, literary and cultural criticism, and a memoir.
Wharton first began inventing stories when she was six. She would walk around the living room holding a book while reciting her story. In 1873, Wharton wrote a short story and gave it to her mother to read. Her mother criticized the story, so Wharton decided to just write poetry. While she constantly sought her mother's approval and love, it was rare that she received either. From the start, the relationship with her mother was a troubled one. Before she was fifteen, she wrote Fast and Loose (1877). In her youth, she wrote about society. Her central themes came from her experiences with her parents. She was very critical of her own work and would write public reviews criticizing it. She also wrote about her own experiences with life. “Intense Love’s Utterance” is a poem written about Henry Stevens.
In 1889, she sent out three poems for publication. They were sent to Scribner’s, Harper’s and Century. Edward L. Burlingame published “The Last Giustiniani” for Scribner’s. It was not until Wharton was 29 that her first short story was published. "Mrs. Manstey's View" had very little success, and it took her more than a year to publish another story. She completed "The Fullness of Life" following her annual European trip with Teddy. Burlingame was critical of this story but Wharton did not want to make edits to it. This story, along with many others, speaks about her marriage. She sent Bunner Sisters to Scribner’s in 1892. Burlingame wrote back that it was too long for Scribner’s to publish. This story is believed to be based on an experience she had as a child. It did not see publication until 1916 and is included in the collection called Xingu. After a visit with her friend, Paul Bourget, she wrote “The Good May Come” and “The Lamp of Psyche”. “The Lamp of Psyche” was a comical story with verbal wit and sorrow. After “Something Exquisite” was rejected by Burlingame, she lost confidence in herself. She started “travel writing” in 1894.
