The Far Arena

· Open Road Media
4.5
13 izibuyekezo
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Released from the Arctic ice after two millennia, a Roman gladiator contends with his haunted memories and the modern world in this “marvelous” novel (Los Angeles Times).
 
While exploring the polar expanse for an oil company, geologist Lew McCardle discovers something remarkable: a body encased in the ice. Even more remarkable, the skills of a Russian researcher bring the man miraculously back to life.
 
This strange visitor from the distant past has an amazing story to tell. With the help of a Nordic nun who translates from his native Latin, Lucius Aurelius Eugenianus reveals that in the era of Domitian he was a champion in the ancient Roman Coliseum, a gladiator known far and wide as the greatest of all time. But now the warrior Eugeni must readjust to this new world, with its bizarre customs, hidden traps, and geopolitical and moral complexities, as he struggles to come to terms with painful memories of loves and glories lost, and the bloodthirsty imperial politics and heartbreaking betrayals that ultimately led him to this time and place.
 
An ingenious amalgam of science fiction, fantasy, and history, Richard Ben Sapir’s The Far Arena is a breathtaking work of literary invention, at once thrilling, poignant, and thought-provoking.

Izilinganiso nezibuyekezo

4.5
13 izibuyekezo

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Richard Ben Sapir (1936–1987) was born in Brooklyn, New York, and he graduated from Columbia University. He worked as a journalist for the Associated Press before becoming a fiction writer. He was the coauthor, with Warren Murphy, of the Destroyer series of men’s action-adventure novels, which later became the basis for a movie titled Remo Williams: The Adventure Begins. Sapir’s first hardcover book was Bressio, followed by his favorite, The Far Arena. His novel The Body was adapted into a film starring Antonio Banderas and Derek Jacobi. Sapir’s fourth novel was Spies.

The author died shortly after submitting the manuscript for his final and highly acclaimed work, Quest, which his editors found to be so well written that no changes were made before publication. It was named an alternate selection for the Book of the Month Club. That same year, the New York Times called Sapir “a brilliant professional.”

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