The False Servant

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· Faber & Faber
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Are you really surprised to discover that a woman might have a mind of her own?
When Lélio thinks he can ditch and cash in on the rich woman he has promised to marry, in order to become the husband of an even wealthier 'girl from Paris', he enlists the help of his attractive new friend, the Chevalier.
What he doesn't know is that the Chevalier is none other than this same 'girl from Paris' disguised as a man, and that her project is to publicly expose the depths of his sexual cynicism.
A self-declared 'modern', Marivaux is a pioneer in the exploration of human feeling, asking in this play not only what do we hide from others, but what are we hiding from ourselves?
Martin Crimp's version of Pierre Marivaux's The False Servant received its premiere at the National Theatre, London, in 2004 and was revived at the Orange Tree Theatre, London, in June 2022.
'Marivaux's scepticism, irony and fascination with money and sex make him seem peculiarly modern.' Guardian
'Thrills, chills, and belly laughs - this addictively adult comedy has got the lot.' Daily Telegraph

Egileari buruz

Martin Crimp was born in 1956. His play Attempts on Her Life (1997) established his international reputation. His other work for theatre includes Men Asleep, The Rest Will be Familiar to You from Cinema, In the Republic of Happiness, Play House, The City, Fewer Emergencies, Cruel and Tender, The Country, The Treatment, Getting Attention, No One Sees the Video, Play with Repeats, Dealing with Clair and Definitely the Bahamas. He is also the author of three texts, Into the Little Hill, Written on Skin and Lessons in Love and Violence, for operas by George Benjamin. His many translations of French plays include works by Genet, Ionesco, Koltès, Marivaux and Molière. Writing for Nothing, a collection of fiction, short plays and texts for opera, was published by Faber & Faber in 2019.

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