The Dilemma
maj 2007. · Hachette UK
4,2star
9 recenzijareport
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300
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O ovoj e-knjizi
A complex marriage, treachery and blackmail - all in Penny Vincenzi's THE DILEMMA.
'A total indulgence' Ideal Home
All Francesca Channing had to do in order to keep her marriage alive, her children safe, her life intact, was to tell a lie. One simple, straightforward lie. But it wasn't that simple or straightforward at all. Her life, as Bard Channing's third wife, was very far from easy. He was charismatic, powerful and rich - and he adored her. He was also manipulative and scheming, with a family as large and complex as his business. But it was an emotional crisis of her own which finally put Francesca's dilemma into perspective, and made her wonder if she loved Bard enough to lie for him...
'A total indulgence' Ideal Home
All Francesca Channing had to do in order to keep her marriage alive, her children safe, her life intact, was to tell a lie. One simple, straightforward lie. But it wasn't that simple or straightforward at all. Her life, as Bard Channing's third wife, was very far from easy. He was charismatic, powerful and rich - and he adored her. He was also manipulative and scheming, with a family as large and complex as his business. But it was an emotional crisis of her own which finally put Francesca's dilemma into perspective, and made her wonder if she loved Bard enough to lie for him...
Ocjene i recenzije
4,2
9 recenzija
O autoru
Penny Vincenzi, who died in 2018, was one of the UK's best-loved and most popular authors. Since her first book, Old Sins, was first published in 1989, she went on to write sixteen more bestselling novels and two collections of stories. She began her career as a junior secretary for Vogue magazine and went on to work at The Daily Mirror, Tatler, and later as a Fashion and Beauty Editor on magazines such as Woman's Own, Nova and Honey, before becoming a Deputy Editor of Options and Contributing Editor of Cosmopolitan. Over seven million copies of Penny's books have been sold worldwide and she is universally held to be the 'doyenne of the modern blockbuster' (Glamour).
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