The Debit Account: Oliver Onions Collections
Giới thiệu về sách điện tử này
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One day in the early June of the year 1900 I was taking a walk on Hampstead Heath and found myself in the neighbourhood of the Vale of Health. About that time my eyes were very much open for such things as house-agents' notice-boards and placards in windows that announced that houses or portions of houses were to let. I was going to be married, and wanted a place in which to live.
My salary was one hundred and fifty pounds a year. I figured on the wages-book of the Freight and Ballast Company as "Jeffries, J. H., Int. Ex. Con.," which meant that I was an intermediate clerk of the Confidential Exchange Department, and to this description of myself I affixed each week my signature across a penny stamp in formal receipt of my three pounds. I could have been paid in gold had I wished, but I had preferred a weekly cheque, and I took care never to cash this cheque at our own offices in Waterloo Place. I did not wish it to be known that I had no banking account. As a matter of fact, I now had one, though I should not have liked to disclose it to the Income Tax Commissioners. The reason for this reticence lay in the smallness, not in the largeness, of my balance. I had learned that in certain circumstances it pays you to appear better off than you are.
It was a Sunday, a Whit-Sunday, on which I took my walk, and on my way up from Camden Town across the Lower Heath I had passed among the canvas and tent-pegs and staked-out "pitches" that were the preparation for the Bank Holiday on the morrow. Tall chevaux de frises of swings were locked back with long bars; about the caravans picked out with red and green, the proprietors of cocoanut-shies and roundabouts smoked their pipes; and up the East Heath Road there rumbled from time to time, shaking the ground, a traction-engine with its string of waggons and gaudy tumbrils....
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PART II VERANDAH COTTAGE
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PART III WELL WALK
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PART IV IDDESLEIGH GATE
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ENVOI SIR JULIUS PEPPER DICTATES
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Xếp hạng và đánh giá
Giới thiệu tác giả
Originally trained as a commercial artist, he worked as a designer of posters and books, and as a magazine illustrator during the Boer War. Encouraged by the American writer Gelett Burgess, Onions began writing fiction. The first editions of his novels were published with dust jackets bearing full-colour illustrations painted by Onions himself.
Poor Man's Tapestry (1946) and its prequel, Arras of Youth (1949) are about the adventures of a juggler, Robert Gandelyn, in the fourteenth century. Onions wrote two detective novels: A Case in Camera and In Accordance with the Evidence. Two of his works are science fiction novels:New Moon (1918) about a utopian Britain, and The Tower of Oblivion (1921), featuring a middle-aged man who recedes back to his youth. A Certain Man (1931), about a magical suit of clothes, and A Shilling to Spend (1965), about a self-perpetuating coin, are fantasy novels. Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. Another noted story from Widdershins is "Rooum", about an engineer pursued by a mysterious entity. "Phantas", "The Rosewood Door" and "The Rope in the Rafters" involve time shifts.
The title novella of The Painted Face (1929) is about a Greek girl who is the reincarnation of an ancient spirit; Ashley describes it as "one of the finest works in the genre". The collection also contains "The Master of the House", a story involving a werewolf and black magic.
A long supernatural novel is The Hand of Kornelius Voyt about an isolated boy who falls under the psychic influences of another.
Onions was awarded the James Tait Black Memorial Prize for his 1946 novel Poor Man's Tapestry.
