The Banshee: O Donnell Collections

· O Donnell Collections Sách 1 · 谷月社
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 Chapter I

THE DEFINITION AND ORIGIN OF BANSHEES

In a country, such as Ireland, that is characterised by an arrestive and wildly beautiful scenery, it is not at all surprising to find something in the nature of a ghost harmonising with the general atmosphere and surroundings, and that something, apparently so natural to Ireland, is the Banshee.

The name Banshee seems to be a contraction of the Irish Bean Sidhe, which is interpreted by some writers on the subject "A Woman of the Faire Race," whilst by various other writers it is said to signify "The Lady of Death," "The Woman of Sorrow," "The Spirit of the Air," and "The Woman of the Barrow."

It is strictly a family ghost, and most authorities agree that it only haunts families of very ancient Irish lineage. Mr McAnnaly, for instance, remarks (in the chapter on Banshees in his "Irish Wonders"): "The Banshee attends only the old families, and though their descendants, through misfortune, may be brought down from high estate to ranks of peasant farmers, she never leaves nor forgets them till the last member has been gathered to his fathers in the churchyard."...


Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Chapter XII
Chapter XIII

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Giới thiệu tác giả

Elliott O'Donnell (27 February 1872 - 8 May 1965) was an author known primarily for his books about ghosts. He claimed to have seen a ghost, described as an elemental figure covered with spots, when he was five years old. He also claimed to have been strangled by a mysterious phantom in Dublin.

He was born in Clifton, the son of the Reverend Henry O’Donnell (1827-1873) and Elizabeth Mousley (née Harrison); he had three older siblings, Henry O'Donnell, Helena O'Donnell and Petronella O'Donnell. After the birth of his fourth child the Rev. Henry O'Donnell travelled to Abyssinia while awaiting preferment to a new parish. Here he was said to have been attacked by a gang and robbed and murdered. Elliott O'Donnell claimed descent from Irish chieftains of ancient times, including Niall of the Nine Hostages (the King Arthur of Irish folklore)  and Red Hugh, who fought the English in the sixteenth century. O'Donnell was educated at Clifton College in Bristol, England, and later at Queen's Service Academy, Dublin, Ireland.

In later life he became a ghost hunter, but first he traveled in America, working on a range in Oregon and becoming a policeman during the Chicago Railway Strike of 1894. Returning to England, he worked as a schoolmaster and trained for the theatre. In 1905 he married Ada O'Donnell (1870-1937). He served in the British army in World War I, and later acted on stage and in movies.

His first book, written in his spare time, was a psychic thriller titled For Satan's Sake (1904). From this point onward, he became a writer. He wrote several popular novels, including an occult fantasy, The Sorcery Club (1912)  but specialized in what were claimed as true stories of ghosts and hauntings. These were immensely popular, but his flamboyant style and amazing stories suggest that he embroidered fact with a romantic flair for fiction. O'Donnell wrote material for numerous magazines, including Hutchinson Story Magazine, The Novel Magazine, The Idler, Weekly Tale-Teller, Hutchinson's Mystery-Story Magazine, Pearson's Magazine, Lilliput and Weird Tales.

As he became known as an authority on the supernatural, he was called upon as a ghost hunter. He also lectured and broadcast (radio and television) on the paranormal in Britain and the United States. In addition to his more than 50 books, he wrote scores of articles and stories for national newspapers and magazines. He claimed "I have investigated, sometimes alone, and sometimes with other people and the press, many cases of reputed hauntings. I believe in ghosts but am not a spiritualist."

Many of O'Donnell's books possess autobiographical sections in which he reveals a desperate struggle to escape early poverty and scrape acquaintance with the wealthy and the influential. These revelations, coupled with both his employment of actors such as C. Aubrey Smith to help stage hauntings, and the fact that he left no notes relating to his studies after his death, suggest that he embellished or perhaps even invented many of his supposed experiences. This is borne out by the fact that virtually every reference book in the field of supernatural fiction accords O'Donnell the status as a fiction writer. Certainly he was never approached by, nor worked with, the Society for Psychical Research.

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