The Ancien Regime

Charles Kingsley

2004年12月 · 1st World Publishing

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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The rules of the Royal Institution forbid (and wisely) religious or political controversy. It was therefore impossible for me in these Lectures, to say much which had to be said, in drawing a just and complete picture of the Ancien Regime in France. The passages inserted between brackets, which bear on religious matters, were accordingly not spoken at the Royal Institution. But more. It was impossible for me in these Lectures, to bring forward as fully as I could have wished, the contrast between the continental nations and England, whether now, or during the eighteenth century. But that contrast cannot be too carefully studied at the present moment. In proportion as it is seen and understood, will the fear of revolution (if such exists) die out among the wealthier classes; and the wish for it (if such exists) among the poorer; and a large extension of the suffrage will be looked on as - what it actually is - a safe and harmless concession to the wishes - and, as I hold, to the just rights - of large portion of the British nation.

著者について

Charles Kingsley, a clergyman of the Church of England, who late in his life held the chair of history at Cambridge University, wrote mostly didactic historical romances. He put the historical novel to new use, not to teach history, but to illustrate some religious truth. Westward Ho! (1855), his best-known work, is a tale of the Spanish main in the days of Queen Elizabeth I. Hypatia: New Foes with Old Faces (1853) is the story of a pagan girl-philosopher who was torn to pieces by a Christian mob. The story is strongly anti-Roman Catholic.. Hereward the Wake, or The Watchful Hereward the Wake, or The Watchful (1866) is a tale of a Saxon outlaw. The Water-Babies (1863), written for Kingsley's youngest child, "would be a tale for children were it not for the satire directed at the parents of the period," said Andrew Lang. Alton Locke (1850) and Yeast (1851) reflect Kingsley's leadership in "muscular Christianity" and his dramatization of social issues.