Plutarch's Lives
jan 2013 · Plutarch's Lives: The Translation Called Dryden's Corrected from the Greek and Revised in Five Volumes Libri 1 · Cosimo, Inc.
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When the Greek historian PLUTARCH (c. 46 A.D.-120 A.D.) set out to tell the tales of the famous figures from Greek and Roman history, he was more concerned with illuminating their characters than enumerating their deeds, more interested in exploring their moral failings and triumphs than in listing their conquests. The result: Plutarch's Lives. Though Plutarch is known to have taken some liberties with his Lives-his comparisons of certain Greek and Roman figures are often more fanciful than strictly accurate-his words are, in many instances, the only sources of information that have survived for some personages. And in the aggregate, his radical approach to biography exerted a profound influence on the literature to come, particularly throughout the Renaissance and Enlightenment. Shakespeare lifted some passages verbatim from the Lives, and other writers inspired by Plutarch range from James Boswell to Alexander Hamilton to Cotton Mather. Ralph Waldo Emerson called the Lives a "bible for heroes." Across the five volumes, Plutarch explores the stories of such notables as: Romulus Pericles Coriolanus Pyrrhus Lysander Pompey Alexander Caesar Cicero Antony and others. Cosimo is proud to present these handsome new editions, based on the classic 17th-century translations by English poet and playwright JOHN DRYDEN (1631-1700), and revised and edited in the 19th century by Oxford scholar ARTHUR HUGH CLOUGH (1819-1861).
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PLUTARCH. c.46--c.125 Considered by many to be the most important Greek writer of the early Roman period, Plutarch was a member of a well-to-do Greek family, a chief magistrate, a priest at Delphi, and an exceptionally well-read individual. His philosophical views were based on those of Plato and, although a Greek, he esteemed the achievements and attributes of the Romans. By the time Plutarch's works were published for the first time in the eleventh century, some had already been lost. He wrote innumerable essays on philosophical, historical, political, religious, and literary subjects, 78 of which survive today and are known collectively as the "Moralia." He is known primarily, however, for his Parallel Lives of Greeks and Romans, which consists of 50 biographies---23 of prominent Greeks, 23 of Roman leaders, and 4 separate lives---accompanied at intervals by short comparative essays. Although historical information is included in the work, Plutarch wrote it originally to inspire emulation in youth, so the emphasis is on character, moral choice, and anecdote. Sir Thomas North's 1579 translation into English of Parallel Lives became an important source for William Shakespeare which he used for three plays, Julius Caesar, Antony and Cleopatra, and Coriolanus.
Born August 9, 1631 into a wealthy Puritan family, John Dryden received an excellent education at Westminster School and Cambridge University. After a brief period in government, he turned his attention almost entirely to writing. Dryden was one of the first English writers to make his living strictly by writing, but this meant he had to cater to popular taste. His long career was astonishingly varied, and he turned his exceptional talents to almost all literary forms. Dryden dominated the entire Restoration period as a poet, playwright, and all-round man of letters. He was the third poet laureate of England. In his old age Dryden was virtually a literary "dictator" in England, with an immense influence on eighteenth-century poetry. His verse form and his brilliant satires became models for other poets, but they could rarely equal his standard. Dryden was also a master of "occasional" poetry - verse written for a specific person or special occasion. Like most poets of his time, Dryden saw poetry as a way of expressing ideas rather than emotions, which makes his poetry seem cool and impersonal to some modern readers. Dryden also wrote numerous plays that helped him make him one of the leading figures in the Restoration theatre. Today, however he is admired more for his influence on other writers than for his own works. He died on April 30, 1700 in London.
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