Perception and Artistic Style
D.M. Parker · J.B. Derêgowski
jan 1991. · Advances in Psychology 73. knjiga · Elsevier
5,0star
1 recenzijareport
E-knjiga
289
Broj stranica
family_home
Prihvatljiva
info
reportOcjene i recenzije nisu potvrđene Saznajte više
O ovoj e-knjizi
Perception and Artistic Style explores the role of visual processes in the creation and perception of painting and drawing. By looking at the relationship between perception and representation evidence is provided that purely visual processes are a richer source of artistic inspiration than is commonly realised. Many of the obvious variations in artistic style are firmly rooted in visual perception and visual cognition. This book looks at a range of fundamental visual processes and investigates their contribution to major stylistic features of works of art. A wide selection of pictures is considered; ancient, medieval, renaissance, nineteenth and twentieth century and primitive, and both well known and relatively obscure works are examined.The volume includes 86 figures, 13 grey-scale illustrations of artworks and 43 line drawings. This book will be of value to students of perception, students of art and art history, and, since the more technical aspects have been confined to the notes, the general reader who wishes to increase his/her appreciation and understanding of pictorial art.
Ocjene i recenzije
5,0
1 recenzija
Ocijenite ovu e-knjigu
Recite nam šta mislite.
Informacije o čitanju
Pametni telefoni i tableti
Instalirajte aplikaciju Google Play Knjige za Android i iPad/iPhone uređaje. Aplikacija se automatski sinhronizira s vašim računom i omogućava vam čitanje na mreži ili van nje gdje god da se nalazite.
Laptopi i računari
Audio knjige koje su kupljene na Google Playu možete slušati pomoću web preglednika na vašem računaru.
Elektronički čitači i ostali uređaji
Da čitate na e-ink uređajima kao što su Kobo e-čitači, morat ćete preuzeti fajl i prenijeti ga na uređaj. Pratite detaljne upute Centra za pomoć da prenesete fajlove na podržane e-čitače.
