Nothing More Than Murder
Hul 2010 · Hachette UK
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'A blisteringly imaginative crime novelist...violent, amoral, terse and fast-moving . . .a classic American novelist' Kirkus Reviews
Joe Wilmot is a smooth operator. He runs the picture house in Stoneville and he knows how to deal with everyone, from the movie distributors and the union representatives to his projectionist and the punters. But when it comes to handling his wife, his mistress and a bogus insurance claim, it turns out he isn't quite as clever as he thought. An uncompromising and terrifying vision of small-town corruption and the romantic triangle from he author of the toughest crime novels ever.
Joe Wilmot is a smooth operator. He runs the picture house in Stoneville and he knows how to deal with everyone, from the movie distributors and the union representatives to his projectionist and the punters. But when it comes to handling his wife, his mistress and a bogus insurance claim, it turns out he isn't quite as clever as he thought. An uncompromising and terrifying vision of small-town corruption and the romantic triangle from he author of the toughest crime novels ever.
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Jim Thompson (1906-1977) was born in Anadarko, Oklahoma. After an itinerant childhood during which his sheriff father was driven from office for embezzlement, and as a roughneck in the Texan oil fields of the 1920s, Thompson became successful as a writer with the pulp fiction houses of the 1950s, writing a dozen of his more enduring novels in just 19 months. Among his many novels are THE KILLER INSIDE ME, THE GRIFTERS, THE GETAWAY and AFTER DARK, MY SWEET. He also wrote two screenplays (for the Stanley Kubrick films THE KILLING and PATHS OF GLORY). POP. 1280 was an acclaimed French film under the title COUP DE TORCHON.
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