Motorcycles & Sweetgrass
03/2010 · Knopf Canada
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3 críticasreport
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368
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A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons.
Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
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DREW HAYDEN TAYLOR has done many things, most of which he is proud of. An Ojibway from the Curve Lake First Nations in Ontario, he has worn many hats in his career, from performing stand-up comedy at the Kennedy Center in Washington D.C., to being Artistic Director of Canada’s premiere Native theatre company, Native Earth Performing Arts. He has been an award-winning playwright (with over 100 productions of his work), a journalist/columnist (appearing regularly in several Canadian newspapers, magazines, and news networks), short story writer, novelist, television scriptwriter, and has worked on over 20 documentaries exploring the Native experience including the popular Searching for Winnetou. His documentary series on APTN, Going Native, is in its third year. The author of 34 books, he looks forward to finding out where his imagination will take him next.
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