193 | Tracce Finestre Visioni: La Rivista di Engramma 193, luglio 2022

Monica Centanni · Guglielmo Bottin · Mario De Angelis · Massimo Maiorino · Enrico Palma · Susanna Pisciella · Silvia Urbini · Chiara Velicogna · Angela Vettese · Michela Maguolo · Asia Benedetti · Andrea Cortellessa · Francesco Giosuè · Silvia De Min · Ilaria Grippa · Beppe Cantele

Jan 2022 · Edizioni Engramma

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280

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Eligible

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The issue of Engramma “Tracce Finestre Visioni” (Traces Windows Visions) collects a series of contributions focused on the relationship between text and image, with particular insistence on the boundary between them as labile, porous and fragile: with holes and gaps that take the form of windows; latencies and wounds that appear like visions; persistences that are perceivable as traces. The first section includes a group of essays on contemporary arts: Marina Apollonio, Fusionecircolare/ Endings. Tra arte cinetica e testo usicale elettroacustico, by Guglielmo Bottin; Embodiment vs Rejectingness. Per una evoluzione del “sistema di filtri” nell’opera di Pierre Bonnard (1925-1935), by Mario De Angelis; Esposizioni di niente/Testi per niente, by Massimo Maiorino; L’indicibile rappresentabile. Su Wittgenstein e Klee, by Enrico Palma; Indovinelli compositivi. Esercizi di John Hejduk per gli architetti del nuovo millennio, by Susanna Pisciella; Finestre letterarie e finestre visive. Sguardi esteriori e interiori fra tecnica e metafora, by Silvia Urbini; Pages d’un Journal de Chantier. Riflessi di Jean Cocteau in Berthold Lubetkin, by Chiara Velicogna; Steve McQueen. How Does One Believe in the Future? by Angela Vettese.

The second section “Note e Recensioni” (Notes and Reviews) readings and reviews of exhibitions in display in Venice, more or less directly related to the Biennale 2022, are presented: Venezia “maternamente oscura”. Anish Kapoor alle Gallerie dell’Accademia e a Palazzo Manfrin (aprile/ottobre 2022), by Michela Maguolo; An Archaeology of Silence. Recensione della mostra di Kehinde Wiley (Venezia 2022), by Asia Benedetti; L’incantesimo del fuoco. Sulla mostra “On Fire” alla Fondazione Cini (Venezia 2022), by Andrea Cortellessa; “Cromocracy”. Sulla mostra di Abel Herrero alla Galleria Castello (Venezia 2022), by Andrea Cortellessa. The section also includes a Note on the comparison between 1968 and 2022 wartime covers of the periodical “Time”: What a Time! Il ritorno del passato tra shock e continuità in due copertine del “Time”, by Francesco Giosuè. Closing the section, as well as the issue itself, are the presentations of three recent volumes that intersect the theme of the text/image/vision relationship: La memoria di un gesto. Presentazione di La memoria in tasca di Emanuele Pellegrini, by Silvia De Min; Sogno e visione, secondo David Lynch. Presentazione di: Nicola Settis, Chi è il sognatore? Guida alla visione di Twin Peaks 3, edited by Ilaria Grippa and Monica Centanni; abbecedari di Architettura di Sergio Polano. Presentazione di Beppe Cantele.

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