The Life and Opinions of Tristram Shandy, Gentleman
Apr 2012 · Courier Corporation
Ebook
528
Pages
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About this ebook
A forerunner of psychological fiction, and considered a landmark work for its innovative use of narrative devices, Tristram Shandy was both celebrated and vilified when first published in 1759. While the narrative's endless digressions drew criticism, the novel's bawdy humor made it a cause for celebration in eighteenth-century London. Originally released in nine separate volumes, it is literature's famed "cock and bull" story, reveling in parody and satire.
Laurence Sterne's topsy-turvy masterpiece is, in effect, a novel about writing a novel—producing a fictional world that is as strange and wonderful as the process of its creation. Impulsive, addictive, and absurd, it begins at the moment of Tristram Shandy's conception and shifts relentlessly into a hilarious series of disconnected episodes starring the hero's family, friends, and neighbors. The memorable cast of characters wanders in and out of the playful web of Sterne's deliberately visual text treatment, which includes endless dashes and asterisks, one-sentence chapters, unusual graphic renderings, and blank pages that invite the reader to interact with the book.
Impossible to categorize—and absorbing and surprising even today—Tristram Shandy is a rare celebration of the art of fiction. It remains a beguiling milestone in the history of literature.
Laurence Sterne's topsy-turvy masterpiece is, in effect, a novel about writing a novel—producing a fictional world that is as strange and wonderful as the process of its creation. Impulsive, addictive, and absurd, it begins at the moment of Tristram Shandy's conception and shifts relentlessly into a hilarious series of disconnected episodes starring the hero's family, friends, and neighbors. The memorable cast of characters wanders in and out of the playful web of Sterne's deliberately visual text treatment, which includes endless dashes and asterisks, one-sentence chapters, unusual graphic renderings, and blank pages that invite the reader to interact with the book.
Impossible to categorize—and absorbing and surprising even today—Tristram Shandy is a rare celebration of the art of fiction. It remains a beguiling milestone in the history of literature.
About the author
If Fielding showed that the novel (like the traditional epic or drama) could make the chaos of life coherent in art, Sterne only a few years later in The Life and Opinions of Tristram Shandy, Gentleman (1760--67) laughed away the notion of order. In Sterne's world, people are sealed off in their own minds so that only in unpredictable moments of spontaneous feeling are they aware of another human being. Reviewers attacked the obscenity of Tristram's imagined autobiography as it was published (two volumes each in 1759, early 1761, late 1761, 1765, and one in 1767), particularly when the author revealed himself as a clergyman, but the presses teemed with imitations of this great literary hit of the 1760s. Through the mind of the eccentric hero, Sterne subverted accepted ideas on conception, birth, childhood, education, and the contemplation of maturity and death, so that Tristram's concerns touched his contemporaries and are still important. Since Tristram Shandy is patently a great and lasting comic work that yet seems, as E. M. Forster said, "ruled by the Great God Muddle," much recent criticism has centered on the question of its unity or lack of it; and its manipulation of time and of mental processes has been considered particularly relevant to the problems of fiction in our day. Sterne's Sentimental Journey (1768) has been immensely admired by some critics for its superb tonal balance of irony and sentiment. His Sermons of Mr. Yorick (1760) catches the spirit of its time by dramatically preaching benevolence and sympathy as superior to doctrine. Whether as Tristram or as Yorick, Sterne is probably the most memorably personal voice in eighteenth-century fiction.
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