Kubismus
May 2014 · Parkstone International
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Les Demoiselles d'Avignon: fünf junge Damen, die die moderne Kunst für immer verändern sollten. Gesichter, die man gleichzeitig von vorn und im Profil erkennt, verwinkelte Körper, deren üppige Formen hinter asymmetrischen Linien verschwinden - mit diesem Gemälde revolutionierte Picasso die Geschichte der Malerei. 1907 war der Kubismus geboren. Kubistische Maler wie Juan Gris und Robert Delaunay, die, inspiriert von Braque und Picasso, natürliche Formen in Würfel und Zylinder verwandelten, lieferten eine neue, in völligem Gegensatz zum Impressionismus stehende Weltanschauung. Der Kubismus verbreitete sich schnell in Europa und entwickelte sich in verschiedenen Phasen, die der Kunstgeschichte den Reichtum des 20. Jahrhunderts schenkten: vom Futurismus Boccionis zur Abstraktion Kandinskys, vom Suprematismus Malewitschs zum Konstruktivismus Tatlins. Durch die Verbindung der Texte von Guillaume Apollinaire und der Arbeit von Dorothea Eimert bietet dieser Text eine neue Interpretationsmöglichkeit dieses ausschlaggebenden Moments in der Moderne und gibt dem Leser die Möglichkeit, die Hauptvertreter dieser Strömung kennenzulernen.
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Guillaume Apollinaire is one of the most widely read and influential of modern French poets. He was born either in Rome, where he was baptized, or in Monaco, where he was educated at the Lycee Saint-Charles. Quintessentially modern, his reputation rests principally on two volumes of poems-Alcools (1913) and Calligrammes (1918), which broke with the traditions of nineteenth-century poetry in both form and content. Apollinaire introduced free verse, eliminated punctuation, and even wrote poems in the form of pictures to express the dynamism of the new twentieth century. Apollinaire wrote novels, short stories, and plays as well as poetry. He wrote The Cubist Painters (1913), which first defined the nature of cubism. In addition, he edited for the Bibliotheque des Curieux erotic books of repute and helped to catalogue the repository of forbidden books in the Bibliotheque Nationale. He became the friend of great cubists, including Picasso and Braque. He died in the Spanish influenza epidemic of 1918.
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