John Tomb's Head

· Penguin Random House New Zealand Limited
Ebook
272
Pages
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Returning to the biting and hilarious satire of contemporary New Zealand conveyed so well in the prize-winning The Shag Incident, this is a daring, astute and rollicking novel. John Tomb saw more of the world than most Englishmen of the early nineteenth century. From England to Australia to New Zealand, he led a life of adventure and romance. Two hundred years after his death, his tattooed head is discovered in an American museum. His spirit reawakened, John Tomb wryly observes those who would lay claim to his relic. Among others, there's the New Zealand delegation headed by the Prime Minister and including Tomb's Maori descendants, a leading historian, a prominent carver, the Diplomatic Protection Squad and the Prime Minister's fifteen-year-old daughter. From England come Tomb's English descendants and supporters, eager to take the head back to the land of his birth and their family museum. There is also a wealthy private collector and his clever wife ...

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Stephanie Johnson is the author of several collections of poetry and of short stories, some plays and adaptations, and many fine novels. The New Zealand Listener commented that Stephanie Johnson is a writer of talent and distinction. Over the course of an award-winning career — during which she has written plays, poetry, short stories and novels — she has become a significant presence in the New Zealand literary landscape, a presence cemented and enhanced by her roles as critic and creative writing teacher.’ The Shag Incident won the Montana Deutz Medal for Fiction in 2003, and Belief was shortlisted for the same award. Stephanie has also won the Bruce Mason Playwrights Award and Katherine Mansfield Fellowship, and was the 2001 Literary Fellow at the University of Auckland. Many of her novels have been published in Australia, America and the United Kingdom. She co-founded the Auckland Writers and Readers Festival with Peter Wells in 1999. She is the 2023 recipient of the Prime Minister's Award for Literature. The Oxford Companion to New Zealand Literature describes Johnson’s writing as ‘marked by a dry irony, a sharp-edged humour that focuses unerringly on the frailties and foolishness of her characters . . . There is compassion, though, and sensitivity in the development of complex situations’, and goes on to note that ‘a purposeful sense of . . . larger concerns balances Johnson’s precision with the small details of situation, character and voice that give veracity and colour’.

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