Hellhounds

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· Fairwood Press LLC
Rafbók
45
Síður
Gjaldgeng
Einkunnir og umsagnir eru ekki staðfestar  Nánar

Um þessa rafbók

In this sequel to the novelette Mingus Fingers, authors David Sandner and Jacob Weisman follow Kenny, a talented musician who learned from jazz great Charles Mingus how to “play in the soul.” Kenny has always had an affinity for rabbits and butterflies, believing that butterflies are broken souls waiting to return.

​When Kenny goes missing, his brother searches for him at a crossroad and an old speakeasy, where the cold, dark shadows of spirit and music lead him to a musician who may know if Kenny is alive . . . or dead. Kenny’s brother must put his trust in his belief that the music of the living may be the only way to transform and bring back a spirit of the dead.

Um höfundinn

David Sandner is a member of SFWA and the HWA. His work has appeared in Asimov’s, Weird Tales, Realms of Fantasy, Pulphouse, Mythic Delirium, and anthologies Baseball Fantastic, The Mammoth Book of Black Magic, and Tails of Wonder and Imagination. He is the author of The Fantastic Sublime and Mythopoeic Award-nominated Critical Discourses of the Fantastic, 1712-1831, and editor of Fantastic Literature: A Critical Reader and The Treasury of the Fantastic (with Jacob Weisman). Edited collection Philip K. Dick, Here and Now is forthcoming. He is a Professor of Romanticism and Popular Literature at California State University, Fullerton.

Jacob Weisman is the publisher at Tachyon Publications, which he founded in 1995. He is a World Fantasy Award winner for the anthology The New Voices of Fantasy, which he co-edited with Peter S. Beagle, and is the series editor of Tachyon’s critically acclaimed novella line, including the Hugo Award–winning The Emperor’s Soul, by Brandon Sanderson, and the Nebula and Shirley Jackson award–winning We Are All Completely Fine, by Daryl Gregory. His writing has appeared in The Nation, Realms of Fantasy, The Louisville Courier-Journal, The Seattle Weekly, and The Cooper Point Journal.

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