Vicki Baum (1888тАУ1960) was born into an affluent Jewish family in Vienna. Her childhood was dominated by a depressed mother and an authoritarian, hypochondriac father, who discouraged her early forays into literature. She studied harp at the Vienna Academy for Music and the Performing Arts and left home at eighteen to marry Max Prels, a journalist under whose name her first short stories were published. In 1916, after the dissolution of her first marriage, she married the conductor Richard Lert and launched her literary career, eventually writing nearly a book a year while working as an editor at the German publishing house Ullstein. Her first major success came in 1920 with the publication of her second novel, Once in Vienna. She spent several months in New York and Hollywood during the making of the film adaptation of Grand HotelтАФwhich starred Greta Garbo and Joan Crawford and went on to win the 1933 Oscar for Best FilmтАФand, before HitlerтАЩs rise to power, resettled in Los Angeles, where she continued to publish novels while also working as a screenwriter for Paramount and Metro-Goldwyn-Mayer. Her memoir, It Was All Quite Different, was published posthumously.┬а
Basil Creighton (1886тАУ1989) translated many notable works of German literature, including Hermann HesseтАЩs Steppenwolf, B. TravenтАЩs The Treasure of the Sierra Madre, and Alma MahlerтАЩs Gustav Mahler: Memories and Letters.
Margot Bettauer Dembo (1928-2019)┬аwas the translator of┬аworks by Judith Hermann, Robert Gernhardt, Joachim Fest, ├Цd├╢n von Horv├бth, and Feridun Zaimoglu, among others. She was awarded the Goethe-Institut/Berlin TranslatorтАЩs Prize in 1994 and the Helen and Kurt Wolff TranslatorтАЩs Prize in 2003. Dembo also worked as a translator for two feature documentary films:┬аThe Restless Conscience, which was nominated for an Academy Award, and┬аThe Burning Wall. For NYRB Classics she translated┬аTransit┬аand┬аThe Seventh Cross┬аby Anna Seghers┬аand┬аGrand Hotel┬аby Vicki Baum.
Noah Isenberg is a professor of culture and media at the New School, where he also serves as the director of screen studies. He is the author of several books on film, a regular contributor to Bookforum, The Nation, and the Times Literary Supplement, and the book review editor of Film Quarterly. Isenberg is a fellow at the New York Institute for the Humanities and the recipient of a 2015 NEH Public Scholar award.