Faulkner and Material Culture
Joseph R. Urgo · Ann J. Abadie
Sept 2009 · Univ. Press of Mississippi
eBook
178
Pages
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About this eBook
Photographs, lumber, airplanes, hand-hewn coffins—in every William Faulkner novel and short story worldly material abounds. The essays in Faulkner and Material Culture provide a fresh understanding of the things Faulkner brought from the world around him to the one he created.
Charles S. Aiken surveys Faulkner's representation of terrain and concludes, contrary to established criticism, that to Faulkner, Yoknapatawpha was not a microcosm of the South but a very particular and quite specifically located place. Jay Watson works with literary theory, philosophy, the history of woodworking and furniture-making, and social and intellectual history to explore how Light in August is tied intimately to the region's logging and woodworking industries.
Other essays in the volume include Kevin Railey's on the consumer goods that appear in Flags in the Dust. Miles Orvell discusses the Confederate Soldier monuments installed in small towns throughout the South and how such monuments enter Faulkner's work. Katherine Henninger analyzes Faulkner's fictional representation of photographs and the function of photography within his fiction, particularly in The Sound and the Fury, Light in August, and Absalom, Absalom!.
Charles S. Aiken surveys Faulkner's representation of terrain and concludes, contrary to established criticism, that to Faulkner, Yoknapatawpha was not a microcosm of the South but a very particular and quite specifically located place. Jay Watson works with literary theory, philosophy, the history of woodworking and furniture-making, and social and intellectual history to explore how Light in August is tied intimately to the region's logging and woodworking industries.
Other essays in the volume include Kevin Railey's on the consumer goods that appear in Flags in the Dust. Miles Orvell discusses the Confederate Soldier monuments installed in small towns throughout the South and how such monuments enter Faulkner's work. Katherine Henninger analyzes Faulkner's fictional representation of photographs and the function of photography within his fiction, particularly in The Sound and the Fury, Light in August, and Absalom, Absalom!.
About the author
Joseph R. Urgo (Editor)
Joseph R. Urgo is chair of the English Department at the University of Mississippi. His books include Reading Faulkner: Absalom, Absalom!; Faulkner's Apocrypha; Novel Frames: Literature as Guide to Race, Sex, and History in American Culture; and In the Age of Distraction, among others, all published by University Press of Mississippi.
Ann J. Abadie (Editor)
Ann J. Abadie (1939–2024) was associate director emerita of the Center for the Study of Southern Culture at the University of Mississippi as well as coeditor of numerous scholarly collections from the Faulkner and Yoknapatawpha Conference and other books published by University Press of Mississippi.
Joseph R. Urgo is chair of the English Department at the University of Mississippi. His books include Reading Faulkner: Absalom, Absalom!; Faulkner's Apocrypha; Novel Frames: Literature as Guide to Race, Sex, and History in American Culture; and In the Age of Distraction, among others, all published by University Press of Mississippi.
Ann J. Abadie (Editor)
Ann J. Abadie (1939–2024) was associate director emerita of the Center for the Study of Southern Culture at the University of Mississippi as well as coeditor of numerous scholarly collections from the Faulkner and Yoknapatawpha Conference and other books published by University Press of Mississippi.
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