Cecilia: Memoirs of an Heiress

· Golden Book
Ebook
890
Pages
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About this ebook

The manuscript of Cecilia was submitted to Dr Burney and Mr Crisp during its composition, and their suggestions were in some cases adopted, as we learn from theDiary. Dr Johnson was not consulted, but a desire at once to imitate and to please him evidently controlled the work.

Under these circumstances it is naturally less fresh and spontaneous than Evelina, but it is more mature. The touch is surer and the plot more elaborate. We cannot to-day fully appreciate the “conflict scene between mother and son,” for which, Miss Burney tells us, the book was written; but the pictures of eighteenth century affectations are all alive, and the story is thoroughly absorbing, except, perhaps, in the last book.

Miss Burney often took the name of her characters from her acquaintances, and it seems probable that some of the “types” in Cecilia are also drawn from real life. The title of Miss Austen's Pride and Prejudice was borrowed from Cecilia, and some points of resemblance may be traced between the two novels.

About the author

Frances Burney (13 June 1752 – 6 January 1840), also known as Fanny Burney and later as Madame d'Arblay, was an English satirical novelist, diarist and playwright. Born in Lynn Regis, now King's Lynn, England, on 13 June 1752, to the musician Dr Charles Burney (1726–1814) and his first wife, Esther Sleepe Burney (1725–1762), she was the third of her mother's six children. She began her "scribblings" at the age of ten. In 1786–1790 she was an unusual courtier appointment as "Keeper of the Robes" to Charlotte of Mecklenburg-Strelitz, George III's queen. In 1793, aged 41, she married a French exile, General Alexandre D'Arblay. Their only son Alexander was born in 1794. After a long writing career, and travels in which she was stranded in France by warfare for over ten years, she settled in Bath, England, where she died on 6 January 1840. Of her four novels, the first, Evelina (1778), was the most successful, and remains the most highly regarded. Most of her plays remained unperformed in her lifetime. She also wrote a memoir of her father (1832) and many letters and journals, which have been gradually published since 1889.

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