Dubliners
James Joyce
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THERE was no hope for him this time: it was the third stroke. Night after night I had passed the house (it was vacation time) and studied the lighted square of window: and night after night I had found it lighted in the same way, faintly and evenly. If he was dead, I thought, I would see the reflection of candles on the darkened blind for I knew that two candles must be set at the head of a corpse. He had often said to me: ‘I am not long for this world,’ and I had thought his words idle. Now I knew they were true. Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work.
Old Cotter was sitting at the fire, smoking, when I came downstairs to supper. While my aunt was ladling out my stirabout he said, as if returning to some former remark of his:
‘No, I wouldn’t say he was exactly… but there was something queer… there was something uncanny about him. I’ll tell you my opinion….’
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James Joyce was born on February 2, 1882, in Dublin, Ireland, into a large Catholic family. Joyce was a very good pupil, studying poetics, languages, and philosophy at Clongowes Wood College, Belvedere College, and the Royal University in Dublin. Joyce taught school in Dalkey, Ireland, before marrying in 1904. Joyce lived in Zurich and Triest, teaching languages at Berlitz schools, and then settled in Paris in 1920 where he figured prominently in the Parisian literary scene, as witnessed by Ernest Hemingway's A Moveable Feast. Joyce's collection of fine short stories, Dubliners, was published in 1914, to critical acclaim. Joyce's major works include A Portrait of the Artist as a Young Man, Ulysses, Finnegans Wake, and Stephen Hero. Ulysses, published in 1922, is considered one of the greatest English novels of the 20th century. The book simply chronicles one day in the fictional life of Leopold Bloom, but it introduces stream of consciousness as a literary method and broaches many subjects controversial to its day. As avant-garde as Ulysses was, Finnegans Wake is even more challenging to the reader as an important modernist work. Joyce died just two years after its publication, in 1941.
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