Clandestino: In Search of Manu Chao
май 2013 г. · Profile Books
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A decade ago, Manu Chao's band, Mano Negra, toured Colombia by train, negotiating with government troops and rebels - an episode described at the time as 'less like a rock'n'roll tour - more like Napoleon's retreat from Moscow'. That's Manu in a nutshell. He does everything differently. He is a multi-million selling artist who prefers sleeping on friends' floors to five-star hotels, an anti-globalisation activist who hangs out with prostitute-activists in Madrid and Zapatista leader Comandante Marcos in Chiapas, a recluse who is at home singing in front of 100,000 people in stadiums in Latin America or festivals in Europe.
Clandestino has been five years in the writing, as Peter Culshaw followed Manu around the world, invited at a moment's notice to head to the Sahara, or Brazil, or to Buenos Aires, where Manu was making a record with mental asylum inmates. The result is one of the most fascinating music biographies we're ever likely to read.
Clandestino has been five years in the writing, as Peter Culshaw followed Manu around the world, invited at a moment's notice to head to the Sahara, or Brazil, or to Buenos Aires, where Manu was making a record with mental asylum inmates. The result is one of the most fascinating music biographies we're ever likely to read.
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Peter Culshaw was described by his friend Malcolm McLaren as 'the Indiana Jones of world music'. His assignments have included hanging out with Central African pygmies and reports from the Amazon and Siberia. He has profiled many leading classical, world and jazz musicians for the Observer and Telegraph, as well as BBC radio. As a musician, he was signed in the 1980s to Brian Eno's label and later recorded with the Buena Vista Social Club. He is currently music editor for theartsdesk.com.
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