Charlotte Perkins Gilman (1860–1935) was a prominent American feminist, sociologist, novelist, and short story writer. Her literary work mainly explores issues of women's role in society and their search for self-identity. Gilman gained early recognition with the publication of 'The Yellow Wallpaper' in 1892, a semi-autobiographical short story exploring the disastrous effects of the rest cure on women's mental health. A key figure in the first-wave feminist movement, she is also renowned for her utopian trilogy, which includes 'Moving the Mountain' (1911), 'Herland' (1915), and 'With Her in Ourland' (1916). These novels collectively explore gender, social reform, and the quest for a harmonious society, envisioning a world where women are free from patriarchal oppression. 'Herland', the most famous of the trilogy, presents a female-only society and critiques the gender norms of early 20th-century America. Gilman's writing is characterized by clear, forceful prose and an unflinching examination of social institutions. Her work has been instrumental in shaping discussions on women's rights and gender equality. Intellectually influenced by the early suffrage movements and contemporary sociological thought, Gilman's substantial body of writing has endured, continuing to inspire and provoke debate on gender and society well into the 21st century.