Brecht On Theatre

Β· Bloomsbury Publishing
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Brecht on Theatre is a seminal work that has remained the classic text for readers and students wanting a rich appreciation of the development of Brecht's thinking on theatre and aesthetics. First published in 1964 and on reading lists ever since, Brecht's writings are presented in this definitive edition featuring the wholly revised, re-edited and expanded text produced for the 50th anniversary of the first English publication. With additional texts, illustrations and editorial material, and with almost half the material newly translated, this edition provides a far fuller and more accurate account of the development of Brecht's work and writings.

This edition features:

* Clearer layout and organisation of the text
* New translations of many of the Brechtian texts featured
* Over 40 new, previously untranslated essays
* Essay titles now correspond to the German originals
* A revised selection of illustrations

Π—Π° Π°Π²Ρ‚ΠΎΡ€ΠΎΡ‚

Bertolt Brecht (1898-1956) is acknowledged as one of the great dramatists and theatre artists whose work has had a considerable influence on the theatre. His landmark plays include The Threepenny Opera, The Life of Galileo, and The Caucasian Chalk Circle.
Editors: Marc Silberman is Professor of German at the University of Wisconsin - Madison, USA. Steve Giles is Emeritus Professor of German Studies and Critical Theory at the University of Nottingham, UK. Tom Kuhn is Professor of 20th century German Literature at St Hugh's College, University of Oxford, UK, and General Editor of Methuen Drama's Brecht publications.

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