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Juan Gay is on his deathbed. He has decided to spend his last days in The Palace: a monumental, fading institution in the desert, which was an asylum in another lifetime. There, a young man tends to this dying soul - someone who Juan met only once, but who has haunted the edges of his life ever since.
As the end approaches, the two trade stories - resurrecting lost loves, lives, mothers and fathers - and their lives are woven, ineluctably, into a broader story of pathology and oppression. Charged with sifting through Juan's belongings, our narrator uncovers a copy of Sex Variants: A Study in Homosexual Patterns, its pages blacked out, censored, reduced down to poetic dispatches. And, as he sifts through the manuscript, another story is told: that of Jan Gay - a radical, queer anthropologist - whose ground-breaking work was co-opted, and stifled, by the committee she served.
Blackouts is a haunting, dreamlike rumination on memory and erasure, on the ways in which stories sustain histories. Both emotionally and intellectually daring, Justin Torres blends fact with fiction - drawing from historical records, screenplays, testimony and image - force us to look again at the world we have inherited and the narratives we have received.
As the end approaches, the two trade stories - resurrecting lost loves, lives, mothers and fathers - and their lives are woven, ineluctably, into a broader story of pathology and oppression. Charged with sifting through Juan's belongings, our narrator uncovers a copy of Sex Variants: A Study in Homosexual Patterns, its pages blacked out, censored, reduced down to poetic dispatches. And, as he sifts through the manuscript, another story is told: that of Jan Gay - a radical, queer anthropologist - whose ground-breaking work was co-opted, and stifled, by the committee she served.
Blackouts is a haunting, dreamlike rumination on memory and erasure, on the ways in which stories sustain histories. Both emotionally and intellectually daring, Justin Torres blends fact with fiction - drawing from historical records, screenplays, testimony and image - force us to look again at the world we have inherited and the narratives we have received.
作者简介
JUSTIN TORRES is the author of We the Animals, and has published short fiction in the New Yorker, Harper's and Granta, among other publications. The National Book Foundation named him as one of their '5 under 35' in 2012. He lives in Los Angeles, where he is an Assistant Professor of English at UCLA.
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