Billy Ray's Farm

· Hachette UK
ای-کتاب
216
صفحه‌ها
واجد شرایط
رده‌بندی‌ها و مرورها به‌تأیید نمی‌رسند.  بیشتر بدانید

درباره این ای-کتاب

In his first work of nonfiction since the acclaimed On Fire, Brown aims for nothing short of ruthlessly capturing the truth of the world in which he has always lived. In the prologue to the book, he tells what it's like to be constantly compared with William Faulkner, a writer with whom he shares inspiration from the Mississippi land. The essays that follow show that influence as undeniable. Here is the pond Larry reclaims and restocks on his place in Tula. Here is the Oxford bar crowd on a wild goose chase to a fabled fishing event. And here is the literary sensation trying to outsmart a wily coyote intent on killing the farm's baby goats. Woven in are intimate reflections on the Southern musicians and writers whose work has inspired Brown's and the thrill of his first literary recognition.

But the centerpiece of this book is the title essay which embodies every element of Larry Brown's most emotional attachments-to the family, the land, the animals. This is a book for every Larry Brown fan. It is also an invaluable book for every reader interested in how a great writer responds, both personally and artistically, to the patch of land he lives on.

درباره نویسنده

Larry Brown was born in Lafayette County, Mississippi, where he lived all his life. At the age of thirty, a captain in the Oxford Fire Department, he decided to become a writer and worked toward that goal for seven years before publishing his first book, Facing the Music, a collection of stories, in 1988. With the publication of his first novel, Dirty Work, he quit the fire station in order to write full time. (The nonfiction book On Fire tells the story of his many years as a firefighter.) Between then and his untimely death in 2004, he published seven more books. He was awarded the Mississippi Institute of Arts and Letters award for fiction and was the first two-time winner of the Southern Book Award for Fiction, which he won in 1992 for Joe, and again in 1997 for Father and Son. He was the recipient of a Lila Wallace-Readers Digest Award and Mississippi's Governor's Award For Excellence in the Arts. The story "Big Bad Love" became the basis for a feature film, as did his novel Joe.

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