Beethoven: Anguish and Triumph
août 2014 · HarperCollins
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22 avisreport
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1107
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This “monumental” portrait of the man, his music, and the world in which he lived is “a truly remarkable biography” (The Christian Science Monitor).
Jan Swafford’s biographies of Charles Ives and Johannes Brahms have established him as a revered music historian, capable of bringing his subjects vibrantly to life. His magnificent new biography of Ludwig van Beethoven, more than a decade in the making, peels away layers of legend to get to the living, breathing human being who composed some of the world’s most iconic music.
Swafford mines sources never before used in English-language biographies to reanimate the revolutionary ferment of Enlightenment-era Bonn, where Beethoven grew up and imbibed the ideas that would shape all of his future work. Swafford then tracks his subject to Vienna, capital of European music, where Beethoven built his career in the face of critical incomprehension, crippling ill health, romantic rejection, and “fate’s hammer,” his ever-encroaching deafness. Throughout, Swafford offers insightful readings of Beethoven’s key works.
“Swafford’s writing on Beethoven’s music is perceptive and illuminating. But just as impressive is his sympathetic portrait of Beethoven the man. [The book] does not diminish any of the composer’s flaws. Instead, it suggests that these flaws were inconsequential compared with the severity of the composer’s anguish and the achievement of his music.” —The Washington Post
“Comprehensive, detailed, and highly readable . . . an entertaining biography that should find favor with music lovers and history buffs.” —Seattle Times
“A saga of a man at odds with so many things: convention, social mores, himself, women, his family . . . one gets a better sense of how this roiling personality produced works to roil the human soul.” —The Boston Globe
Jan Swafford’s biographies of Charles Ives and Johannes Brahms have established him as a revered music historian, capable of bringing his subjects vibrantly to life. His magnificent new biography of Ludwig van Beethoven, more than a decade in the making, peels away layers of legend to get to the living, breathing human being who composed some of the world’s most iconic music.
Swafford mines sources never before used in English-language biographies to reanimate the revolutionary ferment of Enlightenment-era Bonn, where Beethoven grew up and imbibed the ideas that would shape all of his future work. Swafford then tracks his subject to Vienna, capital of European music, where Beethoven built his career in the face of critical incomprehension, crippling ill health, romantic rejection, and “fate’s hammer,” his ever-encroaching deafness. Throughout, Swafford offers insightful readings of Beethoven’s key works.
“Swafford’s writing on Beethoven’s music is perceptive and illuminating. But just as impressive is his sympathetic portrait of Beethoven the man. [The book] does not diminish any of the composer’s flaws. Instead, it suggests that these flaws were inconsequential compared with the severity of the composer’s anguish and the achievement of his music.” —The Washington Post
“Comprehensive, detailed, and highly readable . . . an entertaining biography that should find favor with music lovers and history buffs.” —Seattle Times
“A saga of a man at odds with so many things: convention, social mores, himself, women, his family . . . one gets a better sense of how this roiling personality produced works to roil the human soul.” —The Boston Globe
Notes et avis
3,0
22 avis
Quelques mots sur l'auteur
Jan Swafford is an award-winning composer whose music has been played around the US and abroad by ensembles including the symphony orchestras of St. Louis, Vermont, and Harrisburg, and by the Dutch Radio Orchestra. He is the author of Johannes Brahms: A Biography, which was a New York Times Notable Book, and Charles Ives: A Life with Music, a finalist for the National Book Critics Circle Award and winner of the PEN/Winship Award. He is also the author of The Vintage Guide to Classical Music. His writing and commentary on music has been featured on NPR and in Slate, the Guardian, Gramophone, and elsewhere. Swafford teaches music history, theory, and composition at the Boston Conservatory.
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