Atrocity and Early Modern Drama
Sarah Johnson · Georgina Lucas · Lisa Hopkins · Douglas Bruster
leden 2025 · Bloomsbury Publishing
E‑kniha
304
Stránky
reportHodnocení a recenze nejsou ověřeny Další informace
Podrobnosti o e‑knize
Extreme violence scarred the early modern period. Contemporary commentators grappled to find language to categorize the massacres, genocides, assassinations, enslavements, sacks, rapes, riots and regicides that characterized the period. Some used 'outrages', others 'cruelties', but, significantly, the term 'atrocity' that we use today gained the most currency.
Atrocity and Early Modern English Drama intervenes in the broad field of violence and early modern drama by placing acts of atrocity at its centre. In doing so, this essay collection offers the first book-length examination of atrocities and early modern English drama. The volume considers atrocity in early theatre, its varied representations in contemporary Shakespeare performance, and strategies for teaching early modern atrocity drama. Contributors introduce us to atrocity in the works of Shakespeare, John Fletcher, William Rowley, Thomas Dekker and Thomas Middleton across a range of forms including comedy, tragedy, revenge, cinematic adaptation, documentary film and contemporary theatre. The collection addresses the intersections of atrocities through class, crime, gender, race and the natural world. Together, the chapters interrogate how early modern English drama reflects upon and shapes understandings of the historically contingent, politically loaded and culturally contentious phenomena of atrocity.
Atrocity and Early Modern English Drama intervenes in the broad field of violence and early modern drama by placing acts of atrocity at its centre. In doing so, this essay collection offers the first book-length examination of atrocities and early modern English drama. The volume considers atrocity in early theatre, its varied representations in contemporary Shakespeare performance, and strategies for teaching early modern atrocity drama. Contributors introduce us to atrocity in the works of Shakespeare, John Fletcher, William Rowley, Thomas Dekker and Thomas Middleton across a range of forms including comedy, tragedy, revenge, cinematic adaptation, documentary film and contemporary theatre. The collection addresses the intersections of atrocities through class, crime, gender, race and the natural world. Together, the chapters interrogate how early modern English drama reflects upon and shapes understandings of the historically contingent, politically loaded and culturally contentious phenomena of atrocity.
O autorovi
Sarah Johnson is Associate Professor in the department of English, Culture, and Communication at the Royal Military College of Canada.
Georgina Lucas is a Lecturer in English Literature at Edinburgh Napier University, UK.
Georgina Lucas is a Lecturer in English Literature at Edinburgh Napier University, UK.
Ohodnotit e‑knihu
Sdělte nám, co si myslíte.
Informace o čtení
Telefony a tablety
Nainstalujte si aplikaci Knihy Google Play pro Android a iPad/iPhone. Aplikace se automaticky synchronizuje s vaším účtem a umožní vám číst v režimu online nebo offline, ať jste kdekoliv.
Notebooky a počítače
Audioknihy zakoupené na Google Play můžete poslouchat pomocí webového prohlížeče v počítači.
Čtečky a další zařízení
Pokud chcete číst knihy ve čtečkách elektronických knih, jako např. Kobo, je třeba soubor stáhnout a přenést do zařízení. Při přenášení souborů do podporovaných čteček elektronických knih postupujte podle podrobných pokynů v centru nápovědy.
