Approaches to American Cultural Studies
Par šo e-grāmatu
Written and edited by an international team of authors based primarily in Europe, the book is divided into four thematically-organised sections. The first part delineates the evolution of American Studies over the course of the twentieth century, the second elaborates on how American Studies as a field is positioned within the wider humanities, and the third inspects and deconstructs popular tropes such as myths of the West, the self-made man, Manifest Destiny, and representations of the President of the United States. The fourth part introduces theories of society such as structuralism and deconstruction, queer and transgender theories, border and hemispheric studies, and critical race theory that are particularly influential within American Studies.
This book is supplemented by a companion website offering further material for study (www.routledge.com/cw/dallmann). Specifically designed for use on courses across Europe, it is a clear and engaging introductory text for students of American culture.
Par autoru
Antje Dallmann teaches North American literature and culture at Humboldt-Universität zu Berlin and at Leipzig University in Germany. She is the author of ConspiraCity New York (2009) and co-editor of Envisioning American Utopias (2011), Picturing America (2009, both with Reinhard Isensee and Philipp Kneis) and Toward a New Metropolitanism (2006, with Günter H. Lenz and Friedrich Ulfers).
Eva Boesenberg is the author of Money and Gender in the American Novel, 1850–2000 (2010) and Gender – Voice – Vernacular: The Formation of Female Subjectivity in Zora Neale Hurston, Toni Morrison, and Alice Walker (1999), and co-editor of American Economies (2012, with Martin Klepper and Reinhard Isensee). She teaches North American literature and culture at Humboldt-Universität zu Berlin. She
Martin Klepper teaches North American literature and culture at Humboldt-Universität zu Berlin. He is the author of Pynchon, Auster, DeLillo: Die amerikanische Postmoderne zwischen Spiel und Rekonstruktion (1996) and his latest books include The Discovery of Point of View: Observation and Narration in the American Novel 1790–1910 (2011) and Rethinking Narrative Identity: Persona and Perspective (2013, co-edited with Claudia Holler).
