The book addresses three desiderata in the field of Tantric Studies: it fills a gap in the historical modelling of Tantra; it extends the geographical parameters of Tantra to the vast, yet culturally interlinked, socio-geographical construct of Monsoon Asia; it explores Tantra as an interface between the Sanskritic elite and the folk, the vernacular, the magical, and the shamanic, thereby revisiting the intellectual and historically fallacious divide between cosmopolitan Sanskritic and vernacular local.
The book offers a highly innovative contribution to the field of Tantric Studies and, more generally, South and Southeast Asian religions, by breaking traditional disciplinary boundaries. Its variety of disciplinary approaches makes it attractive to both the textual/diachronic and ethnographic/synchronic dimensions. It will be of interest to specialist and non-specialist academic readers, including scholars and students of South Asian religions, mainly Hinduism and Buddhism, Tantric traditions, and Southeast Asian religions, as well as Asian and global folk religion, shamanism, and magic.
Andrea Acri is tenured Assistant Professor in Tantric Studies at the École Pratique des Hautes Études (EPHE, PSL University) in Paris, France. His publications include the monograph Dharma Pātañjala (2011), as well as various edited volumes, including Esoteric Buddhism in Mediaeval Maritime Asia (2016). His main research and teaching interests are Śaiva and Buddhist Tantric traditions, Indian philosophy, Yoga studies, Sanskrit and Old Javanese philology, and the comparative religious history of South and Southeast Asia from the premodern to the contemporary period, with special emphasis on connected histories and intra-Asian maritime transfers.
Paolo E. Rosati received his PhD in Asian and African Studies from ‘Sapienza’ University of Rome, Italy. He has published a double special issue on Tantra for Religions of South Asia (14/1–2) in 2020, and several contributions on the yoni cult at Kāmākhyā. His current research focuses on magic, memory, and cultural identity in postcolonial Tantric contexts.