These stories savour the surreal, flirt with magical realism, dabble with dystopia. A boy sees the ghosts of dead crabs. A girl with a fox tail is bullied. A disenchanted woman sprouts orchids from her belly button. Fashion models pursue the trend of having plants as hair. Electronic goods amassing all over London herald an apocalypse. Darkness and wonder, the strange and the ordinary, interweave to offer an environmental and social portrait of our times. Guaranteed to evoke a response, whether a giggle, a gasp, or a nervous gulp, these stories will stay with you, enriching your perception of the world.
Surreal, absurdist, magical realist; Katy Wimhurst writes speculative fiction that meditates on our reality. Although bleak themes are examined โ dystopian futures, the climate crisis, bullying &ndash a quirky imagination and wry humour lift the tales above the โrealm of grimโ.
โCan anyone fail to be enchanted by โAn Orchid in My Belly Buttonโ, the leading story in Katy Wimhurstโs new collection? After this first delight, 19 tales follow. My favourite is that of the boy who sees the ghosts of crabs killed by polluted water. Environmental pollution in its myriad forms is the plank on which many stories rest. Does Wimhurst offer a solution to the tragedies underpinning each tale? I wonโt tell you. But her touch is light, her characters familiar. You are reading magic realism at its finest. Each of these stories will repay close and careful reading. The images will stay with you, reminding you there can still be hope if we act now instead of prevaricating.โ
โ Dorothy Schwarz, author of Behind a Glass Wall
โKaty Wimhurstโs stories give me that same sense of strangeness and warmth that I got when I was young from some of Gabriel Garcรญa Mรกrquez shorter tales, and by โwarmthโ I donโt mean to suggest that these are all feelgood fictions but that the prose in which they are written glows. The style is fully flowering, a joy to read, a delight to ponder, perfectly adapted to the embodying of the author's filling and nourishing narratives. Simply stated, these are excellent stories. They seem almost organically grown, enveloping the reader in the tendrils of their telling. There is precision here too, but it is never angular. This is a superb book by a wonderful writer. And itโs not Magic Realist in the flowery sense, despite the blooms of the title story, but realistically tough when it needs to be, filled with the alienating situations, circumstances and bewildered people of the contemporary world. Hard to choose a favourite when the book is so tightly integrated with itself but โThe Blind Arkโ has lodged itself very firmly into my mind. A magnificent collection.โ
โ Rhys Hughes, author of The Devilโs Halo
โAn interesting and unusual collection of stories, many of which combine the memorable imagery of the surreal with the moral thrust of the fable. Very enjoyable.โ
โ Charlie Hill, author of Encounters with Everyday Madness
โThrough whimsy and a prodigious imagination, Wimhurst has crafted compelling stories that take contemporary societal issues to their extreme, serving as a reminder of the need for change without being didactic. They are modern-day parables. Her characters face real challenges around grief, money, self-esteem, bullying, health, and climate change. In Wimhurstโs hands, care and compassion for living beings combine with a sense of wonder and delight to create memorable, enjoyable tales. Misfits โ AKA, those who feel unwelcome in an unsustainable, patriarchal society โ will find their kindreds in these tales and feel uplifted, something we greatly need at this time.โ
โ Amanda Earl, author of Beast Body Epic
Katy Wimhurst is a disabled writer who pens short stories about apocalyptic rabbits, cosmic vacuum cleaners, people turning into mushrooms, knitting to oblivion, existential shrugs, and worlds in which chocolate is illegal. Her fiction has allegedly been called โdark, witty and magicalโ, sometimes even โabsurdistโ. Before discovering the silvery steps that led to Elsewhen Press, she had two books of (magical realist / dystopian) short fiction published, Snapshots of the Apocalypse (Fly on the Wall Press) and Let Them Float (Alien Buddha Press). She occasionally writes articles about magical realism or speculative fiction. In a very past life, she might have studied for a PhD on Mexican surrealism.
She was born in [date redacted] and now lives near a pretty river in eastern UK. She is tremendously grateful for trees, seahorses, clouds, chocolate, kindness, and Studio Ghibli films. She isnโt appreciative of the illness M.E. which she has had for way too long and is why she has to write fiction on an IPad while lying down. She would like to be reincarnated as a cumulus cloud or one of Wes Andersonโs dreams.