All Our Yesterdays

· Simon and Schuster
4,2
4 bài đánh giá
Sách điện tử
304
Trang
Đủ điều kiện
Điểm xếp hạng và bài đánh giá chưa được xác minh  Tìm hiểu thêm

Giới thiệu về sách điện tử này

From “one of the most distinguished writers of modern Italy” (New York Review of Books), a classic novel of society in the midst of a war.

This powerful novel is set against the background of Italy from 1939 to 1944, from the anxious months before the country entered the war, through the war years, to the allied victory with its trailing wake of anxiety, disappointment, and grief. In the foreground are the members of two families. One is rich, the other is not. In All Our Yesterdays, as in all of Ms. Ginzburg’s novels, terrible things happen—suicide, murder, air raids, and bombings. But seemingly less overwhelming events, like a family quarrel, adultery, or a deception, are given equal space, as if to say that, to a victim, adultery and air raids can be equally maiming. All Our Yesterdays gives a sharp portrait of a society hungry for change, but betrayed by war.

During the period described in the novel, Natalia Ginzburg was married to the writer Leone Ginzburg. Because of his underground activities, he was interned under Mussolini’s reign, along with his family, in a restricted area in the Abruzzi. When the Ginzburgs later moved to Rome, Leone was arrested and tortured by the fascists, and killed, leaving Natalia alone to raise her three children.

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Xếp hạng và đánh giá

4,2
4 bài đánh giá

Giới thiệu tác giả

Natalia Ginzburg was born in Palermo, Italy in 1916. She grew up in Turin, where she worked as a publisher and writer. She wrote over a dozen novels, as well as short stories, essays, and plays. She received great acclaim for her translations into Italian of both Proust and Flaubert. She died in Rome in 1991.

Angus Davidson was known primarily for his work as a translator and publisher and was associated with the circle of artists, writers and intellectuals known as the Bloomsbury Group. He translated the works of Alberto Moravia and Mario Praz, and wrote an innovative biography of Edward Lear that focused on his achievements as an artist.

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