Adler & Gibb
ມິ.ຖ. 2014 · Bloomsbury Publishing
ປຶ້ມອີບຸກ
188
ໜ້າ
reportບໍ່ໄດ້ຢັ້ງຢືນການຈັດອັນດັບ ແລະ ຄຳຕິຊົມ ສຶກສາເພີ່ມເຕີມ
ກ່ຽວກັບປຶ້ມ e-book ນີ້
'You’d like that, would you, your most private, pinkest, tenderest – small bird, small bird, small fragile – stolen from you, slammed down onto the slab, the block, poked at and paraded.’
The children swing their legs on the chairs. The student delivers the presentation. The older woman stands with the gun. The young couple arrives at the house. The house is returning to nature. A movie is being made. The truth is being plundered. But the house is still lived in and the spirit to resist is strong.
Janet Adler and Margaret Gibb were conceptual artists working in New York at the end of the last century. They were described by art critic Dave Hickey as the ‘most ferociously uncompromising voice of their generation’. With Adler’s death in 2004, however, the compromise began.
Adler & Gibb tells the story of a raid – on a house, a life, a reality and a legacy. The play takes Tim Crouch’s fascination with form and marries it to a thrilling story of misappropriation.
Also includes what happens to the hope at the end of the evening by Tim Crouch and Andy Smith, a facsimile of the text as used in performance.
The children swing their legs on the chairs. The student delivers the presentation. The older woman stands with the gun. The young couple arrives at the house. The house is returning to nature. A movie is being made. The truth is being plundered. But the house is still lived in and the spirit to resist is strong.
Janet Adler and Margaret Gibb were conceptual artists working in New York at the end of the last century. They were described by art critic Dave Hickey as the ‘most ferociously uncompromising voice of their generation’. With Adler’s death in 2004, however, the compromise began.
Adler & Gibb tells the story of a raid – on a house, a life, a reality and a legacy. The play takes Tim Crouch’s fascination with form and marries it to a thrilling story of misappropriation.
Also includes what happens to the hope at the end of the evening by Tim Crouch and Andy Smith, a facsimile of the text as used in performance.
ກ່ຽວກັບຜູ້ຂຽນ
Tim Crouch's credits at the Royal Court include The Author, which toured across the UK and abroad throughout 2010 and 2011. Other credits include what happens to the hope at the end of the evening, co-written with Andy Smith, in which Tim also performed at the Almeida Festival, I, Cinna (The Poet) as part of the RSC's World Shakespeare Festival, at the Swan Theatre. He edited and directed The Taming Of The Shrew and King Lear for the RSC's Young People's Shakespeare Project. His other credits include I, Malvolio, My Arm, England and An Oak Tree, which won an Obie Award. As a director, his credits include King Lear and The Taming of the Shrew for the RSC's First Encounters: Shakespeare for Young Audiences.
ໃຫ້ຄະແນນ e-book ນີ້
ບອກພວກເຮົາວ່າທ່ານຄິດແນວໃດ.
ອ່ານຂໍ້ມູນຂ່າວສານ
ສະມາດໂຟນ ແລະ ແທັບເລັດ
ຕິດຕັ້ງ ແອັບ Google Play Books ສຳລັບ Android ແລະ iPad/iPhone. ມັນຊິ້ງຂໍ້ມູນໂດຍອັດຕະໂນມັດກັບບັນຊີຂອງທ່ານ ແລະ ອະນຸຍາດໃຫ້ທ່ານອ່ານທາງອອນລາຍ ຫຼື ແບບອອບລາຍໄດ້ ບໍ່ວ່າທ່ານຈະຢູ່ໃສ.
ແລັບທັອບ ແລະ ຄອມພິວເຕີ
ທ່ານສາມາດຟັງປຶ້ມສຽງທີ່ຊື້ໃນ Google Play ໂດຍໃຊ້ໂປຣແກຣມທ່ອງເວັບຂອງຄອມພິວເຕີຂອງທ່ານໄດ້.
eReaders ແລະອຸປະກອນອື່ນໆ
ເພື່ອອ່ານໃນອຸປະກອນ e-ink ເຊັ່ນ: Kobo eReader, ທ່ານຈຳເປັນຕ້ອງດາວໂຫຼດໄຟລ໌ ແລະ ໂອນຍ້າຍມັນໄປໃສ່ອຸປະກອນຂອງທ່ານກ່ອນ. ປະຕິບັດຕາມຄຳແນະນຳລະອຽດຂອງ ສູນຊ່ວຍເຫຼືອ ເພື່ອໂອນຍ້າຍໄຟລ໌ໄໃສ່ eReader ທີ່ຮອງຮັບ.
