ONE of the morning trains that tap the little towns along the Sound ran into the Grand Central Depot. It was very hot in the lower levels of the station and the passengers, few in number—for it was midsummer and people were going out of town, not coming in—filed stragglingly up the long platform to the exit. One of them was a girl, fair and young, with those distinctive attributes of good looks and style that drew men’s eyes to her face and women’s to her clothes.

People watched her as she followed the porter carrying her suit-case, noting the lithe grace of her movements, her delicate slimness, the froth of blonde hair that curled out under the brim of her hat. She appeared oblivious to the interest she aroused and this indifference had once been natural,[Pg 12] for to be looked at and admired had been her normal right and become a stale experience. Now it was assumed, an armor under which she sought protection, hid herself from morbid curiosity and eagerly observing eyes. To be pointed out as Sybil Saunders, the actress, was a very different thing from being pointed out as Sybil Saunders, the fiancée of James Dallas of the Dallas-Parkinson case.

The Dallas-Parkinson case had been a sensation three months back. James Dallas, a well-known actor, had killed Homer Parkinson during a quarrel in a man’s club, struck him on the head with a brass candlestick, and fled before the horrified onlookers could collect their senses. Dallas, a man of excellent character, had had many friends who claimed mitigating circumstances—Parkinson, drunk and brutal, had provoked the assault. But the Parkinson clan, new-rich oil people, breathing vengeance, had risen to the cause of their kinsman, poured out money in an effort to bring the fugitive to justice, and offered a reward[Pg 13] of ten thousand dollars for his arrest. Of course Sybil Saunders had figured in the investigation, she was the betrothed of the murderer, their marriage had been at hand. She had gone through hours of questioning, relentless grilling, and had steadily maintained her ignorance of Dallas’ whereabouts; from the night of his disappearance she had heard nothing from him and knew nothing of him. The Parkinsons did not believe her statement, the police were uncertain.

As she walked toward the exit she carried a newspaper in her hand. Other people in the train had left theirs in their seats, but she, after a glance at the head-lines, had folded hers and laid it in her lap. Three seats behind her on the opposite side of the aisle she had noticed a man—had met his eyes as her own swept back carelessly over the car—and it was then that she had laid the paper down and looked out of the window. Under the light film of rouge on her cheeks a natural color had arisen. She had known he would be there but was startled to find him so close...