Unfinished Business: Sex, Freedom and Misogyny

· Quarterly Essay Cartea 50 · Bolinda · Carte narată de Louise Crawford
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Western women today have unprecedented freedom and power. In Australia we have a female prime minister and governor-general; women are at the forefront of almost every area of public life. Yet when Julia Gillard’s misogyny speech ricocheted around the world, it clearly touched a nerve. Why? In the fiftieth Quarterly Essay, Anna Goldsworthy examines the world we’ve landed in after the gains of feminism. For young women in particular, it is both rewarding and confusing. What cultural messages do they receive about work and home, about sex and their bodies? Why do so many reject the feminist label? And why does pop culture wink at us with storylines featuring submissive women, from Mad Men to 50 Shades of Grey to the darker recesses of pornography? This is an original, often hilarious look at role models and available options in the age of social media and sexual frankness. With piercing insight, Goldsworthy lays bare the dilemmas of being a woman today and asks how women can truly become free agents.

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Anna Goldsworthy is the author of Piano Lessons and Welcome To Your New Life. Her writing has appeared in the Monthly, the Age, the Australian, the Adelaide Review and The Best Australian Essays. She is also a concert pianist, with several recordings to her name.

Louise Crawford is a drama graduate from Queensland University of Technology with a major in acting. Louise has a successful career on stage, film and television in Australia. She appeared in the film The Hard Word, and on television in Natalie Wood, Farscape, Beastmaster and All Saints. She hosted Scream Test and was a series regular on Breakers and Echo Point. Her theatre appearances include The Vagina Monologues, The Importance of Being Earnest, Uncle Vanya, A Midsummer Night's Dream and Caucasian Chalk Circle. Louise has also been a scriptwriter on Home and Away and Breakers.

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