Uncle Silas
J. Sheridan Le Fanu
Jan. 2011 · B.J. Harrison · Voorgelees deur B.J. Harrison
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17 u. 53 min.
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Mystery surrounds Maud Ruthyn in this quintessential Gothic Novel. Her melancholy father forbids her to ask or inquire anything concerning his misfortunate brother - Silas. From what she can gather, Silas was once a handsome, ambitious young man, but in his later years, he shrank into obscurity. Why? And why is Maud's governess, Madame de la Rougerre, so curious about her father's will? Why is she so cruel? And how will Maude ever find answers from the enigmatic characters that surround her in the spectral castle of Bartram-Hough?
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The greatest author of supernatural fiction during the nineteenth century was undoubtedly J. Sheridan Le Fanu. Le Fanu was born in Dublin and, as with so many other English popular fiction authors of his time, entered the genre of fiction by way of journalism, working on such publications as the Evening Mail and the Dublin University Magazine. Le Fanu came from a middle-class background; his family was of Huguenot descent. He graduated from Trinity College and married in 1844. After his wife died in 1858, until his own death, Le Fanu was known as a recluse, creating his ghost fiction late at night in bed. Probably he began writing ghost fiction in 1838; his earliest supernatural story is often cited as being either "The Ghost and the Bone-Setter" or the "Fortunes of Sir Robert Ardagh," both of which were later collected in the anthology entitled The Purcell Papers (1880). Writing most effectively in the short story form, Le Fanu's tales such as "Carmilla" (a vampire story that is thought possibly to have influenced Bram Stoker's Dracula) and the problematic "Green Tea" are considered by many literary scholars to be classics of the supernatural genre. His lengthy Gothic novels, such as Uncle Silas (1864), though less highly regarded than his shorter fiction, are nonetheless wonderfully atmospheric. Le Fanu's particular brand of literary horror tends toward the refined, subtle fright rather than the graphic sensationalism of Matthew Gregory Lewis. His work influenced other prominent horror fiction authors, including M. R. James.
It started when an 8-year old kid did Muppet impressions at a talent show. He killed it. BJ later became a scenic artist and sculptor in the TV and film industry, where for 20 years, he listened to audiobooks every day.In 2007, when his Classic Tales Podcast hit the scene, BJ Harrison wowed audiences with his voicing skills. Now, over 475 audiobooks later, he continues to impress critics and listeners alike. From eldritch witches to young ingénues, from marble-mouthed gangsters to Shakespearean Danes, BJ has an astounding array of character voices, dialects, and accents at his fingertips.He still does a mean Swedish Chef, but nowadays it only comes out when he's building sets for the latest local high school musical with his family.
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