关于此有声读物
A time traveler’s work is never done.
Likable antiques dealer Joseph Bridgeman is back in the present and dreaming of a quiet life. But when a mysterious and enigmatic time traveler arrives in his shop, Joe learns that his first trip was just the beginning and this time, the rules of the game have changed.
Blackmailed into accepting a new mission, Joe is flung back to 1960s London where he comes face-to-face with a ruthless gangster and witnesses the brutal murder of an innocent woman. Joe knows better than most that death can be reversed and the final chapter is sometimes where the story actually begins. Emotionally involved, he has no choice but to act, and quickly. With the help of Vinny, his vinyl-loving sidekick, Joe once again sets out to change the course of history. Sounds simple enough ... but when it comes to time travel, nothing is ever as it seems. Who is the old time traveler working for? And who decides what can and can’t be changed?
In a thrilling twist, Joe discovers that the victim is critically important to the future, and what starts out as a straightforward mission soon becomes a race to unravel a mystery—one that threatens the very timeline he fought so hard to protect. Joe must dig deeper than ever, master his newfound skills, and save the woman before the past catches up with him for good.
Turns out time doesn’t heal after all. It just adds salt.
作者简介
Nick Jones was born in Stratford-Upon-Avon, Warwickshire, and now lives in the Cotswolds, England. In a previous life, he ran his own media company and was a 2nd Dan black belt in Karate. These days he can be found in his writing room, working on his latest mind-bending ideas, surrounded by notes and scribbling on a large white board. He loves movies, kindness, gin, and vinyl.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
