The Night of the Jaguar

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· Blackstone Publishing · āļšāļĢāļĢāļĒāļēāļĒāđ‚āļ”āļĒ Chris Abell
āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡
4 āļŠāļĄ. 48 āļ™āļēāļ—āļĩ
āļ‰āļšāļąāļšāļŠāļĄāļšāļđāļĢāļ“āđŒ
āļĄāļĩāļŠāļīāļ—āļ˜āļīāđŒ
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National hero, military genius—too bad the Black Berets had him marked for death ...

To the average citizen, the Lion of Salvador was a national hero, a military general of such renown that his accolades spanned two continents. To those in the know, however, the man was the cruelest of drug lords, a savage despot building an unstoppable empire that ranged from the Central American jungle to the bustling streets of New York.

Enter the five-man special ops team known for taking down the worst of enemies around the world. The Black Berets have been tagged to put an end to the Lion’s reign of terror. But how do you kill a man the world lauds as an untouchable hero?

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļœāļđāđ‰āđāļ•āđˆāļ‡

John Preston was a pioneer in the early gay rights movement and publishing initiatives and the author or editor of more than twenty-five acclaimed books. Along with the Black Berets series, he wrote numerous entries in Gold Eagle’s Soldiers of Barrabas series under the pseudonym Jack Hild. As Preston McAdam, he wrote the three books in the Michael Sheriff: The Shield series.

Michael McDowell wrote a number of well-received horror novels, including The Amulet, The Elementals, and the Blackwater series, as well as historical fiction. With Dennis Schuetz, he cowrote four detective novels under the pseudonym Nathan Aldyne and was also active in screenwriting such movies as Beetlejuice, The Nightmare before Christmas, and Thinner. He provided episodes for a number of television horror anthologies, among them Tales from the Darkside.

āđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āļ™āļĩāđ‰

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āļ‚āđ‰āļ­āļĄāļđāļĨāļāļēāļĢāļŸāļąāļ‡

āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđāļĨāļ°āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ•
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āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļ­āđˆāļēāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ—āļĩāđˆāļ‹āļ·āđ‰āļ­āļˆāļēāļ Google Play āđ‚āļ”āļĒāđƒāļŠāđ‰āđ€āļ§āđ‡āļšāđ€āļšāļĢāļēāļ§āđŒāđ€āļ‹āļ­āļĢāđŒāļšāļ™āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒāļ‚āļ­āļ‡āļ„āļļāļ“

āļĢāļēāļĒāļāļēāļĢāļ­āļ·āđˆāļ™āđ† āļ—āļĩāđˆāđ€āļ‚āļĩāļĒāļ™āđ‚āļ”āļĒ John Preston

āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļāļąāļ™

āļšāļĢāļĢāļĒāļēāļĒāđ‚āļ”āļĒ Chris Abell