The Coldness of Objects
Panayotis Cacoyannis
2021. okt. · Tantor Media Inc · Felolvassa: Dan Calley
headphones
Hangoskönyv
7 óra 9 perc
Teljes
family_home
Használható
info
reportAz értékelések és vélemények nincsenek ellenőrizve További információ
Kíváncsi vagy egy 42 perc hosszú részletre? Bármikor meghallgathatod, akár offline is.
Hozzáadás
Információk a hangoskönyvről
London 2030. When a postman knocks on his door, the news he delivers will cause 70-year-old Anthony Pablo Rubens to reflect on all the many sadnesses and joys of the past, while he begins to prepare for the surprises of the future. The past still revolves around the moment in the summer of 1984 when young Anthony first realized he had fallen in love. The present is a Kafkaesque nightmare worse than Orwell's 1984, "a hideous world where people don't need to be watched by Big Brother." It's a world that Anthony has mostly shut his eyes to, but which suddenly he is forced to confront. And the future now encompasses the mystery, and excitement, and dread of a day as an exhibit at the National People's Museum. A dystopian political satire, The Coldness of Objects is also a story of loss, and of different kinds of love. Contains mature themes.
A szerzőről
Panayotis Cacoyannis was born in a small seaside town in Cyprus. He studied law at Oxford and qualified to practice at the Bar, decided that he didn't want to be a lawyer, graduated art school, worked as a painter and sculptor, until a spell of artist's block led to a very short course in creative writing...
Dan Calley is a professional voice-over artist with more than two hundred audiobooks to his credit.
Hangoskönyv értékelése
Mondd el a véleményedet.
Hogyan hallgathatod?
Okostelefonok és táblagépek
Telepítsd a Google Play Könyvek alkalmazást Android- vagy iPad/iPhone eszközre. Az alkalmazás automatikusan szinkronizálódik a fiókoddal, így bárhol olvashatsz online és offline állapotban is.
Laptopok és számítógépek
A Google Playen vásárolt könyveket számítógépének böngészője segítségével olvashatja el.
