Sartor Resartus

· Naxos of America, Inc. · Leighton Pugh āŠĶāŦāŠĩāŠūāŠ°āŠū āŠĩāŠ°āŦāŠĢāŠĻ āŠ•āŠ°āŦ‡āŠē
āŠ‘āŠĄāŠŋāŠŊāŦ‹āŠŽāŦāŠ•
10 āŠ•āŠēāŠūāŠ• 24 āŠŪāŠŋāŠĻāŠŋāŠŸ
āŠĩāŠŋāŠļāŦāŠĪāŦƒāŠĪ
āŠ°āŦ‡āŠŸāŠŋāŠ‚āŠ— āŠ…āŠĻāŦ‡ āŠ°āŠŋāŠĩāŦāŠŊāŦ‚ āŠšāŠ•āŠūāŠļāŦ‡āŠēāŠū āŠĻāŠĨāŦ€Â āŠĩāŠ§āŦ āŠœāŠūāŠĢāŦ‹
5 āŠŪāŠŋāŠĻāŠŋāŠŸāŠĻāŦ‹ āŠĻāŠŪāŦ‚āŠĻāŦ‹ āŠœāŦ‹āŠˆāŠ āŠ›āŦ‡? āŠ‘āŠŦāŠēāŠūāŠ‡āŠĻ āŠđāŦ‹, āŠĪāŦāŠŊāŠūāŠ°āŦ‡ āŠŠāŠĢ āŠ—āŠŪāŦ‡ āŠĪāŦāŠŊāŠūāŠ°āŦ‡ āŠļāŠūāŠ‚āŠ­āŠģāŦ‹. 
āŠ‰āŠŪāŦ‡āŠ°āŦ‹

āŠ† āŠ‘āŠĄāŠŋāŠŊāŦ‹āŠŽāŦāŠ• āŠĩāŠŋāŠķāŦ‡

Part novel, part philosophical treatise, part satire, Sartor Resartus is a masterpiece of 19th-century literature, following in the footsteps of Swift’s Tale of a Tub and Sterne’s Tristram Shandy and a key influence on Melville’s Moby-Dick. Bubbling over with ideas, humour and inventiveness, it is – on the surface – a long-suffering British editor’s sceptical account of a German philosopher’s book, Clothes: Their Origin and Influence, which itself is steeped in German idealism. The author, Diogenes TeufelsdrÃķckh (‘god-born devil-dung’), is Carlyle’s creation for exploring and expressing wider truths, which emerge through metaphor, comedic commentary, and quite dazzling prose – a novel simply to experience as much as to reflect upon.

āŠēāŦ‡āŠ–āŠ• āŠĩāŠŋāŠķāŦ‡

Leighton Pugh trained at LAMDA, after studying Modern Languages at Queen’s College, Oxford. Radio work includes the plays Murder by the Book and Scenes from Provincial Life for BBC Radio 4 and the voice of Heinrich von Kleist in the BBC Radio 3 documentary The Tragical Adventure of Heinrich von Kleist. Leighton has been in five productions for the National Theatre, most recently The Lehman Trilogy (NT Live 2018–19, New York, West End). For Naxos AudioBooks he has recorded, among other things, The Diary of Samuel Pepys, Zola’s Germinal, Nana and L’Assommoir, and featured in Walton’s The Compleat Angler.

āŠ† āŠ‘āŠĄāŠŋāŠŊāŦ‹āŠŽāŦāŠ•āŠĻāŦ‡ āŠ°āŦ‡āŠŸāŠŋāŠ‚āŠ— āŠ†āŠŠāŦ‹

āŠĪāŠŪāŦ‡ āŠķāŦāŠ‚ āŠĩāŠŋāŠšāŠūāŠ°āŦ‹ āŠ›āŦ‹ āŠ…āŠŪāŠĻāŦ‡ āŠœāŠĢāŠūāŠĩāŦ‹.

āŠļāŠūāŠ‚āŠ­āŠģāŠĩāŠū āŠĩāŠŋāŠķāŦ‡āŠĻāŦ€ āŠŪāŠūāŠđāŠŋāŠĪāŦ€

āŠļāŦāŠŪāŠūāŠ°āŦāŠŸāŠŦāŦ‹āŠĻ āŠ…āŠĻāŦ‡ āŠŸāŦ…āŠŽāŦāŠēāŦ‡āŠŸ
Android āŠ…āŠĻāŦ‡ iPad/iPhone āŠŪāŠūāŠŸāŦ‡ Google Play Books āŠāŠŠ āŠ‡āŠĻāŦāŠļāŦāŠŸāŦ‰āŠē āŠ•āŠ°āŦ‹. āŠĪāŦ‡ āŠĪāŠŪāŠūāŠ°āŠū āŠāŠ•āŠūāŠ‰āŠĻāŦāŠŸ āŠļāŠūāŠĨāŦ‡ āŠ‘āŠŸāŦ‹āŠŪāŦ…āŠŸāŠŋāŠ• āŠ°āŦ€āŠĪāŦ‡ āŠļāŠŋāŠ‚āŠ• āŠĨāŠūāŠŊ āŠ›āŦ‡ āŠ…āŠĻāŦ‡ āŠĪāŠŪāŠĻāŦ‡ āŠœāŦāŠŊāŠūāŠ‚ āŠŠāŠĢ āŠđāŦ‹ āŠĪāŦāŠŊāŠūāŠ‚ āŠĪāŠŪāŠĻāŦ‡ āŠ‘āŠĻāŠēāŠūāŠ‡āŠĻ āŠ…āŠĨāŠĩāŠū āŠ‘āŠŦāŠēāŠūāŠ‡āŠĻ āŠĩāŠūāŠ‚āŠšāŠĩāŠūāŠĻāŦ€ āŠŪāŠ‚āŠœāŦ‚āŠ°āŦ€ āŠ†āŠŠāŦ‡ āŠ›āŦ‡.
āŠēāŦ…āŠŠāŠŸāŦ‰āŠŠ āŠ…āŠĻāŦ‡ āŠ•āŠŪāŦāŠŠāŦāŠŊāŦāŠŸāŠ°
āŠĪāŠŪāŦ‡ āŠĪāŠŪāŠūāŠ° āŠ•āŠŪāŦāŠŠāŦāŠŊāŦāŠŸāŠ°āŠĻāŠū āŠĩāŦ‡āŠŽ āŠŽāŦāŠ°āŠūāŠ‰āŠāŠ°āŠĻāŦ‹ āŠ‰āŠŠāŠŊāŦ‹āŠ— āŠ•āŠ°āŦ€āŠĻāŦ‡ Google Play āŠŠāŠ° āŠ–āŠ°āŦ€āŠĶāŦ‡āŠēāŦ€ āŠŠāŦāŠļāŦāŠĪāŠ•āŦ‹āŠĻāŦ‡ āŠĩāŠūāŠ‚āŠšāŦ€ āŠķāŠ•āŦ‹ āŠ›āŦ‹.

Thomas Carlyle āŠĶāŦāŠĩāŠūāŠ°āŠū āŠĩāŠ§āŦ

āŠļāŠŪāŠūāŠĻ āŠ‘āŠĄāŠŋāŠ“āŠŽāŦāŠ•

āŠĩāŠ°āŦāŠĢāŠĻāŠ•āŠ°āŦāŠĪāŠū Leighton Pugh