Redwood and Wildfire
Andrea Hairston
Peb 2022 · Penguin Random House Audio · Isinalaysay ni January LaVoy
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18 (na) oras at 4 (na) minuto
Unabridged
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Andrea Hairston's Redwood and Wildfire features blues singers, filmmakers, haints, healers, romance, and magic from Georgia to Chicago!
At the turn of the 20th century, minstrel shows transform into vaudeville, which slides into moving pictures. Hunkering together in dark theatres, diverse audiences marvel at flickering images. This "dreaming in public" becomes common culture and part of what transforms immigrants and "native" born into Americans.
Redwood, an African American woman, and Aidan, a Seminole Irish man, journey from Georgia to Chicago, from haunted swampland to a "city of the future." They are gifted performers and hoodoo conjurors, struggling to call up the wondrous world they imagine, not just on stage and screen, but on city streets, in front parlors, in wounded hearts. The power of hoodoo is the power of the community that believes in its capacities to heal and determine the course of today and tomorrow.
At the turn of the 20th century, minstrel shows transform into vaudeville, which slides into moving pictures. Hunkering together in dark theatres, diverse audiences marvel at flickering images. This "dreaming in public" becomes common culture and part of what transforms immigrants and "native" born into Americans.
Redwood, an African American woman, and Aidan, a Seminole Irish man, journey from Georgia to Chicago, from haunted swampland to a "city of the future." They are gifted performers and hoodoo conjurors, struggling to call up the wondrous world they imagine, not just on stage and screen, but on city streets, in front parlors, in wounded hearts. The power of hoodoo is the power of the community that believes in its capacities to heal and determine the course of today and tomorrow.
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Andrea Hairston is a Professor of Theatre and Afro-American Studies at Smith College, as well as the Artistic Director of Chrysalis Theatre. Her first novel, Mindscape, which was short-listed for the Philip K. Dick and James Tiptree Awards, was awarded the Carl Brandon Society's Parallax Award. Her plays have been produced at Yale Rep, Rites and Reason, the Kennedy Center, Stage West, and on Public Radio and Television. She has received many awards for her writing and directing, including an NEA Grant to Playwrights, a Ford Foundation grant to collaborate with Senegalese Master Drummer Massamba Diop, and a Shubert Fellowship for Playwriting.
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