關於本有聲書
Nella Larsen’s fascinating exploration of race and identity—the inspiration for the Netflix film directed by Rebecca Hall, starring Tessa Thompson and Ruth Negga.
Irene Redfield is a Black woman living an affluent, comfortable life with her husband and children in the thriving neighborhood of Harlem in the 1920s. When she reconnects with her childhood friend Clare Kendry, who is similarly lightskinned, Irene discovers that Clare has been passing
for a white woman after severing ties to her past—even hiding the truth from her racist husband.
Clare finds herself drawn to Irene’s sense of ease and security with her Black identity and longs for the community (and, increasingly, the woman) she lost.
Irene is both riveted and repulsed by Clare and her dangerous secret, as Clare begins to insert herself—and her deception—into every part of Irene’s stable existence. First published in 1929, Larsen’s brilliant examination of the various ways in which we all seek to “pass,” is as timely as ever.
Irene Redfield is a Black woman living an affluent, comfortable life with her husband and children in the thriving neighborhood of Harlem in the 1920s. When she reconnects with her childhood friend Clare Kendry, who is similarly lightskinned, Irene discovers that Clare has been passing
for a white woman after severing ties to her past—even hiding the truth from her racist husband.
Clare finds herself drawn to Irene’s sense of ease and security with her Black identity and longs for the community (and, increasingly, the woman) she lost.
Irene is both riveted and repulsed by Clare and her dangerous secret, as Clare begins to insert herself—and her deception—into every part of Irene’s stable existence. First published in 1929, Larsen’s brilliant examination of the various ways in which we all seek to “pass,” is as timely as ever.
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關於作者
Nella Larsen was associated with the Harlem Renaissance. She also worked as a librarian and a nurse in New York City, pursuing nursing after her brief, successful writing career until her death in 1964. Larsen's mother was Danish, and her father was West Indian; she used her experience as the child of middle-class parents in a mixed marriage to create characters in two novels who are stranded, caught between two cultures and unable to feel wholly at home in either. In each of Larsen's novels, the heroine suffers suffocating constrictions of her identity in both African American and white European culture. These crises in both Quicksand (1928) and Passing (1929) are further complicated by the heroine's quest for sexual as well as social identity, and both novels end without hopeful resolution. Both contain autobiographical elements, but Quicksand, the more successful, reproduced in fictional form many of the circumstances of Larsen's own early life. Although her work had been out of print for many years, she has recently been rediscovered.
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