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One of The Atlantic’s Great American Novels
“If one had to identify the single most influential shaping force in modern Black literary history, one would probably have to point to Wright and the publication of Native Son.” – Henry Louis Gates Jr.
""The most powerful American novel to appear since The Grapes of Wrath."" —The New Yorker
When it was first published in 1940, Native Son established Richard Wright as a literary star. In the decades since, Wright's masterpiece—hailed by Newsweek as ""a novel of tremendous power and beauty""—has become a revered classic that remains as timely and relevant today as when it first appeared.
Set in Chicago in the 1930s, Native Son is the story of Bigger Thomas, a young Black man caught in a downward spiral after killing a young white woman in a brief moment of panic. Written with the distinctive rhythm of a modern crime story, this formidable work is both a condemnation of social injustice and an unsparing portrait of the Black experience in America, revealing the tragic effect of poverty, racism, and hopelessness on the human spirit. ""I wrote Native Son to show what manner of men and women our 'society of the majority' breeds, and my aim was to depict a character in terms of the living tissue and texture of daily consciousness,"" Wright explained.
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Richard Wright won international renown for his powerful and visceral depiction of the black experience. He stands today alongside such African-American luminaries as Zora Neale Hurston, James Baldwin, and Toni Morrison, and two of his books, Native Son and Black Boy, are required reading in high schools and colleges across the nation. He died in 1960.
Peter Francis James has starred in numerous Broadway and off-Broadway productions, as well as on such television programs as Law & Order: Special Victims Unit, New York Undercover and State of Affairs.
