Kinsey and Me: Stories
Sue Grafton
Ene 2013 · Penguin Random House Audio · Isinalaysay ni Judy Kaye
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7 (na) oras at 39 (na) minuto
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In 1982, Sue Grafton introduced us to Kinsey Millhone. Thirty years later, Kinsey is an established international icon and Sue, a number-one bestselling author. To mark this anniversary year, Sue has given us stories that reveal Kinsey’s origins and Sue’s past.
“I've come to believe that Grafton is not only the most talented woman writing crime fiction today but also that, regardless of gender, her Millhone books are among the five or six best series any American has ever written.”—Patrick Anderson, The Washington Post
Kinsey and Me has two parts: The nine Kinsey stories (1986-93), each a gem of detection; and the And Me stories, written in the decade after Grafton's mother died. Together, they show just how much of Kinsey is a distillation of her creator’s past even as they reveal a child who, free of parental interventions, read everything and roamed everywhere. But the dark side of such freedom was that very parental distance.
The same feisty voice and witty apercus readers fell in love with in A Is for Alibi permeate the Kinsey stories. Those in the And Me section trace a remarkable voyage, from anger to understanding, from pain to forgiveness. They take us into a troubled family, dysfunctional as most families are, each in their own way, but Grafton’s telling is sensitive, delicate, and ultimately, loving. Enriching the way we see Kinsey and know Sue, these stories are deeply affecting.
“I've come to believe that Grafton is not only the most talented woman writing crime fiction today but also that, regardless of gender, her Millhone books are among the five or six best series any American has ever written.”—Patrick Anderson, The Washington Post
Kinsey and Me has two parts: The nine Kinsey stories (1986-93), each a gem of detection; and the And Me stories, written in the decade after Grafton's mother died. Together, they show just how much of Kinsey is a distillation of her creator’s past even as they reveal a child who, free of parental interventions, read everything and roamed everywhere. But the dark side of such freedom was that very parental distance.
The same feisty voice and witty apercus readers fell in love with in A Is for Alibi permeate the Kinsey stories. Those in the And Me section trace a remarkable voyage, from anger to understanding, from pain to forgiveness. They take us into a troubled family, dysfunctional as most families are, each in their own way, but Grafton’s telling is sensitive, delicate, and ultimately, loving. Enriching the way we see Kinsey and know Sue, these stories are deeply affecting.
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Sue Grafton first introduced Kinsey Millhone in the Alphabet Series in 1982, and since then, both writer and heroine have become icons and international bestsellers. Grafton is a writer who consistently breaks the bonds of genre while never writing the same book twice. Named a Grand Master by the Mystery Writers of America, she has also received many other honors and awards, including the Lifetime Achievement Award from the Private Eye Writers of America, the Ross Macdonald Literary Award, the Cartier Diamond Dagger Award from Britain’s Crime Writers’ Association, the Lifetime Achievement Award from Malice Domestic, the Anthony Award given by Bouchercon, and three Shamus Awards. She lives in Montecito, California, and Louisville, Kentucky.
Judy Kaye received a Tony Award for her performance in The Phantom of the Opera and was nominated for two other Tony Awards: for her portrayal of Rosie in Mamma Mia, and her starring role as the singer Florence Foster Jenkins in Souvenir. She has performed with such opera companies and orchestras as the New York City Opera, the New York Philharmonic, and the London Symphony Orchestra.
Judy Kaye received a Tony Award for her performance in The Phantom of the Opera and was nominated for two other Tony Awards: for her portrayal of Rosie in Mamma Mia, and her starring role as the singer Florence Foster Jenkins in Souvenir. She has performed with such opera companies and orchestras as the New York City Opera, the New York Philharmonic, and the London Symphony Orchestra.
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